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Namespace Prefixes

Prefix	IRI
dc	http://purl.org/dc/elements/1.1/
rdfs	http://www.w3.org/2000/01/rdf-schema#
n6	http://data.silknow.org/object/59ac5baf-cb8c-37c7-9f63-286fa08f0009/dimension/
n8	https://www.metmuseum.org/art/collection/search/
n5	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n13	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
n2	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n4	http://data.silknow.org/statement/
n11	http://data.silknow.org/activity/

Statements

Subject Item

n4:f5d5f371-1ab9-5580-a672-1cff51a73a9f

rdf:type

rdf:Statement

rdf:predicate

ecrm:P65_shows_visual_item

rdf:object

n5:743

rdf:subject

n2:59ac5baf-cb8c-37c7-9f63-286fa08f0009

prov:wasGeneratedBy

n11:f5d5f371-1ab9-5580-a672-1cff51a73a9f

silk:L18

0.5289

Subject Item

n2:59ac5baf-cb8c-37c7-9f63-286fa08f0009

rdf:type

ecrm:E22_Man-Made_Object

rdfs:label

1520~ / 1525~, Brussels

rdfs:comment

In an intriguing conceit, a portrait, as if painted on a framed panel, is displayed within this woven scene, actually represented in the silks and woolen threads of tapestry. Despite its considerable size, this is a fragment cut from an even larger narrative tapestry of monumental scale. As such, the subject matter remains frustratingly opaque. Given the rich interior and courtly, contemporary fashions worn by the protagonists, past scholars have been tempted to identify this as a record of an actual historical event. It has been suggested, for example, as recording Margaret of Austria showing a portrait of her fiancé, Philibert II, Duke of Savoy, to her father, Emperor Maximilian I, before their 1501 marriage. Given the sixteenth-century convention to portray the protagonists of ancient, classical and Biblical histories- all popular in tapestry- in embellished versions of contemporary dress, however, this could more likely be a scene from such a fictive, and as yet unidentified, history.

owl:sameAs

n8:222567

dc:identifier

32.100.390

ecrm:P3_has_note

In an intriguing conceit, a portrait, as if painted on a framed panel, is displayed within this woven scene, actually represented in the silks and woolen threads of tapestry. Despite its considerable size, this is a fragment cut from an even larger narrative tapestry of monumental scale. As such, the subject matter remains frustratingly opaque. Given the rich interior and courtly, contemporary fashions worn by the protagonists, past scholars have been tempted to identify this as a record of an actual historical event. It has been suggested, for example, as recording Margaret of Austria showing a portrait of her fiancé, Philibert II, Duke of Savoy, to her father, Emperor Maximilian I, before their 1501 marriage. Given the sixteenth-century convention to portray the protagonists of ancient, classical and Biblical histories- all popular in tapestry- in embellished versions of contemporary dress, however, this could more likely be a scene from such a fictive, and as yet unidentified, history.

ecrm:P43_has_dimension

n6:2 n6:1

ecrm:P65_shows_visual_item

n5:743

ecrm:P138i_has_representation

n13:b6e85bab-7bf4-39ed-aa2a-5b20c2264066

ecrm:P102_has_title

1520~ / 1525~, Brussels