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An Entity of Type : ecrm:E22_Man-Made_Object, within Data Space : data.silknow.org associated with source document(s)

In an intriguing conceit, a portrait, as if painted on a framed panel, is displayed within this woven scene, actually represented in the silks and woolen threads of tapestry. Despite its considerable size, this is a fragment cut from an even larger narrative tapestry of monumental scale. As such, the subject matter remains frustratingly opaque. Given the rich interior and courtly, contemporary fashions worn by the protagonists, past scholars have been tempted to identify this as a record of an actual historical event. It has been suggested, for example, as recording Margaret of Austria showing a portrait of her fiancé, Philibert II, Duke of Savoy, to her father, Emperor Maximilian I, before their 1501 marriage. Given the sixteenth-century convention to portray the protagonists of ancient, classical and Biblical histories- all popular in tapestry- in embellished versions of contemporary dress, however, this could more likely be a scene from such a fictive, and as yet unidentified, history.

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rdf:type
rdfs:label
  • 1520~ / 1525~, Brussels
rdfs:comment
  • In an intriguing conceit, a portrait, as if painted on a framed panel, is displayed within this woven scene, actually represented in the silks and woolen threads of tapestry. Despite its considerable size, this is a fragment cut from an even larger narrative tapestry of monumental scale. As such, the subject matter remains frustratingly opaque. Given the rich interior and courtly, contemporary fashions worn by the protagonists, past scholars have been tempted to identify this as a record of an actual historical event. It has been suggested, for example, as recording Margaret of Austria showing a portrait of her fiancé, Philibert II, Duke of Savoy, to her father, Emperor Maximilian I, before their 1501 marriage. Given the sixteenth-century convention to portray the protagonists of ancient, classical and Biblical histories- all popular in tapestry- in embellished versions of contemporary dress, however, this could more likely be a scene from such a fictive, and as yet unidentified, history. (en)
sameAs
dc:identifier
  • 32.100.390
P3 has note
  • In an intriguing conceit, a portrait, as if painted on a framed panel, is displayed within this woven scene, actually represented in the silks and woolen threads of tapestry. Despite its considerable size, this is a fragment cut from an even larger narrative tapestry of monumental scale. As such, the subject matter remains frustratingly opaque. Given the rich interior and courtly, contemporary fashions worn by the protagonists, past scholars have been tempted to identify this as a record of an actual historical event. It has been suggested, for example, as recording Margaret of Austria showing a portrait of her fiancé, Philibert II, Duke of Savoy, to her father, Emperor Maximilian I, before their 1501 marriage. Given the sixteenth-century convention to portray the protagonists of ancient, classical and Biblical histories- all popular in tapestry- in embellished versions of contemporary dress, however, this could more likely be a scene from such a fictive, and as yet unidentified, history. (en)
P43 has dimension
P65 shows visual item
P138 has representation
P102 has title
  • 1520~ / 1525~, Brussels
is P30 transferred custody of of
is P106 is composed of of
is P41 classified of
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is rdf:subject of
is P129 is about of
is P24 transferred title of of
is crmsci:O8_observed of
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