About: designed 1896     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : ecrm:E22_Man-Made_Object, within Data Space : data.silknow.org associated with source document(s)

When he applied Arts and Crafts principles to wallpaper production, William Morris initiated a revival of the material in England. "Compton" was produced in 1896 for the house of Laurence Hodson, near Wolverhampton. Once believed to be Morris's last design, it is now recognized as the work of John Dearle, who managed Morris & Company's block-printing operations at Merton Abbey and succeeded Morris as director. The pattern is, nevertheless, a definitive example of the company style. Tulips and poppies are woven into a rich, flowing pattern inspired by, but not slavishly adherent to, natural models. The scale of the flowers indicates that the paper was intended for a large, ceremonial room, and the coloring is delicate despite the use of chemical dyes.

AttributesValues
rdf:type
rdfs:label
  • designed 1896
rdfs:comment
  • When he applied Arts and Crafts principles to wallpaper production, William Morris initiated a revival of the material in England. "Compton" was produced in 1896 for the house of Laurence Hodson, near Wolverhampton. Once believed to be Morris's last design, it is now recognized as the work of John Dearle, who managed Morris & Company's block-printing operations at Merton Abbey and succeeded Morris as director. The pattern is, nevertheless, a definitive example of the company style. Tulips and poppies are woven into a rich, flowing pattern inspired by, but not slavishly adherent to, natural models. The scale of the flowers indicates that the paper was intended for a large, ceremonial room, and the coloring is delicate despite the use of chemical dyes. (en)
sameAs
dc:identifier
  • 23.163.4e
P3 has note
  • When he applied Arts and Crafts principles to wallpaper production, William Morris initiated a revival of the material in England. "Compton" was produced in 1896 for the house of Laurence Hodson, near Wolverhampton. Once believed to be Morris's last design, it is now recognized as the work of John Dearle, who managed Morris & Company's block-printing operations at Merton Abbey and succeeded Morris as director. The pattern is, nevertheless, a definitive example of the company style. Tulips and poppies are woven into a rich, flowing pattern inspired by, but not slavishly adherent to, natural models. The scale of the flowers indicates that the paper was intended for a large, ceremonial room, and the coloring is delicate despite the use of chemical dyes. (en)
P43 has dimension
P65 shows visual item
P138 has representation
P102 has title
  • designed 1896
is P30 transferred custody of of
is P106 is composed of of
is P41 classified of
is P108 has produced of
is rdf:subject of
is P129 is about of
is P24 transferred title of of
is crmsci:O8_observed of
Faceted Search & Find service v1.16.118 as of Aug 04 2024


Alternative Linked Data Documents: ODE     Content Formats:   [cxml] [csv]     RDF   [text] [turtle] [ld+json] [rdf+json] [rdf+xml]     ODATA   [atom+xml] [odata+json]     Microdata   [microdata+json] [html]    About   
This material is Open Knowledge   W3C Semantic Web Technology [RDF Data] Valid XHTML + RDFa
OpenLink Virtuoso version 07.20.3240 as of Aug 4 2024, on Linux (x86_64-pc-linux-musl), Single-Server Edition (126 GB total memory, 3 GB memory in use)
Data on this page belongs to its respective rights holders.
Virtuoso Faceted Browser Copyright © 2009-2024 OpenLink Software