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Namespace Prefixes

Prefix	IRI
n14	http://data.silknow.org/object/9b9c9a32-0279-3168-83bc-277367d124f7/dimension/
dc	http://purl.org/dc/elements/1.1/
rdfs	http://www.w3.org/2000/01/rdf-schema#
n8	https://www.metmuseum.org/art/collection/search/
n13	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n12	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
n2	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n4	http://data.silknow.org/statement/
n6	http://data.silknow.org/activity/

Statements

Subject Item

n4:1fe145df-7dcb-572a-9624-4b324b8b3ecc

rdf:type

rdf:Statement

rdf:predicate

ecrm:P65_shows_visual_item

rdf:object

n13:743

rdf:subject

n2:9b9c9a32-0279-3168-83bc-277367d124f7

prov:wasGeneratedBy

n6:1fe145df-7dcb-572a-9624-4b324b8b3ecc

silk:L18

0.7091

Subject Item

n4:841bb029-f823-58fd-af9c-4cdae438166c

rdf:type

rdf:Statement

rdf:predicate

ecrm:P65_shows_visual_item

rdf:object

n13:743

rdf:subject

n2:9b9c9a32-0279-3168-83bc-277367d124f7

prov:wasGeneratedBy

n6:841bb029-f823-58fd-af9c-4cdae438166c

silk:L18

0.9087

Subject Item

n2:9b9c9a32-0279-3168-83bc-277367d124f7

rdf:type

ecrm:E22_Man-Made_Object

rdfs:label

1600, Alsace

rdfs:comment

With subtlety and dexterity, this tapestry's weavers- who apparently used the monograms AR and ICM- borrowed, enlarged, reversed, and added color to Hans Wechtlin’s design for the woodcut of the Elevation of the Cross in Johannes Schott’s Das Leben Jesu published in 1508.This panel is part of a group of similarly sized scenes from the New Testament, woven across more than two decades, all closely based upon printed prototypes by Albrecht Dürer, Hans Baldung Grien, Hans Schäufelein and Martin Schongauer, as well as by Wechtlin. Together with other surviving tapestry panels now in the Museum Haus Löwenberg in Gengenbach and spread across private collections, these small, captioned Biblical scenes were probably made on speculation for sale to Protestant individuals and religious institutions in the Strasburg area around the turn of the seventeenth century.

owl:sameAs

n8:219372

dc:identifier

11.148.6

ecrm:P3_has_note

With subtlety and dexterity, this tapestry's weavers- who apparently used the monograms AR and ICM- borrowed, enlarged, reversed, and added color to Hans Wechtlin’s design for the woodcut of the Elevation of the Cross in Johannes Schott’s Das Leben Jesu published in 1508.This panel is part of a group of similarly sized scenes from the New Testament, woven across more than two decades, all closely based upon printed prototypes by Albrecht Dürer, Hans Baldung Grien, Hans Schäufelein and Martin Schongauer, as well as by Wechtlin. Together with other surviving tapestry panels now in the Museum Haus Löwenberg in Gengenbach and spread across private collections, these small, captioned Biblical scenes were probably made on speculation for sale to Protestant individuals and religious institutions in the Strasburg area around the turn of the seventeenth century.

ecrm:P43_has_dimension

n14:1 n14:2

ecrm:P65_shows_visual_item

n13:743

ecrm:P138i_has_representation

n12:5a57b196-3df4-3689-ba16-989ba67343bc n12:af6ddc46-9a33-3a2d-9650-95e7e386edcf

ecrm:P102_has_title

1600, Alsace