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With subtlety and dexterity, this tapestry's weavers- who apparently used the monograms AR and ICM- borrowed, enlarged, reversed, and added color to Hans Wechtlin’s design for the woodcut of the Elevation of the Cross in Johannes Schott’s Das Leben Jesu published in 1508.This panel is part of a group of similarly sized scenes from the New Testament, woven across more than two decades, all closely based upon printed prototypes by Albrecht Dürer, Hans Baldung Grien, Hans Schäufelein and Martin Schongauer, as well as by Wechtlin. Together with other surviving tapestry panels now in the Museum Haus Löwenberg in Gengenbach and spread across private collections, these small, captioned Biblical scenes were probably made on speculation for sale to Protestant individuals and religious institutions in the Strasburg area around the turn of the seventeenth century.

AttributesValues
rdf:type
rdfs:label
  • 1600, Alsace
rdfs:comment
  • With subtlety and dexterity, this tapestry's weavers- who apparently used the monograms AR and ICM- borrowed, enlarged, reversed, and added color to Hans Wechtlin’s design for the woodcut of the Elevation of the Cross in Johannes Schott’s Das Leben Jesu published in 1508.This panel is part of a group of similarly sized scenes from the New Testament, woven across more than two decades, all closely based upon printed prototypes by Albrecht Dürer, Hans Baldung Grien, Hans Schäufelein and Martin Schongauer, as well as by Wechtlin. Together with other surviving tapestry panels now in the Museum Haus Löwenberg in Gengenbach and spread across private collections, these small, captioned Biblical scenes were probably made on speculation for sale to Protestant individuals and religious institutions in the Strasburg area around the turn of the seventeenth century. (en)
sameAs
dc:identifier
  • 11.148.6
P3 has note
  • With subtlety and dexterity, this tapestry's weavers- who apparently used the monograms AR and ICM- borrowed, enlarged, reversed, and added color to Hans Wechtlin’s design for the woodcut of the Elevation of the Cross in Johannes Schott’s Das Leben Jesu published in 1508.This panel is part of a group of similarly sized scenes from the New Testament, woven across more than two decades, all closely based upon printed prototypes by Albrecht Dürer, Hans Baldung Grien, Hans Schäufelein and Martin Schongauer, as well as by Wechtlin. Together with other surviving tapestry panels now in the Museum Haus Löwenberg in Gengenbach and spread across private collections, these small, captioned Biblical scenes were probably made on speculation for sale to Protestant individuals and religious institutions in the Strasburg area around the turn of the seventeenth century. (en)
P43 has dimension
P65 shows visual item
P138 has representation
P102 has title
  • 1600, Alsace
is P30 transferred custody of of
is P106 is composed of of
is P41 classified of
is P108 has produced of
is rdf:subject of
is P129 is about of
is P24 transferred title of of
is crmsci:O8_observed of
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