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This armchair (and the rest of the set, W.11-1941 to W.15-1941) were believed to date from the late-19th century when they were acquired, although the Aubusson tapestry covers were recognized as dating from the middle of the 18th century. More recently (2009) we have come to think that they do in fact date from ca. 1780-1800, very simple versions of a pattern produced by a number of different Parisian menuisiers or makers of carved furniture. The covers were probably added to the set in the second half of the 19th century.

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  • This armchair (and the rest of the set, W.11-1941 to W.15-1941) were believed to date from the late-19th century when they were acquired, although the Aubusson tapestry covers were recognized as dating from the middle of the 18th century. More recently (2009) we have come to think that they do in fact date from ca. 1780-1800, very simple versions of a pattern produced by a number of different Parisian <i>menuisiers</i> or makers of carved furniture. The covers were probably added to the set in the second half of the 19th century.
P3 has note
  • This armchair (and the rest of the set, W.11-1941 to W.15-1941) were believed to date from the late-19th century when they were acquired, although the Aubusson tapestry covers were recognized as dating from the middle of the 18th century. More recently (2009) we have come to think that they do in fact date from ca. 1780-1800, very simple versions of a pattern produced by a number of different Parisian <i>menuisiers</i> or makers of carved furniture. The covers were probably added to the set in the second half of the 19th century.
P108 has produced
P32 used general technique
P126 employed
  • Turned and carved beech, joined by mortise-and-tenon construction, water gilded (more than once), upholstered with stitched edges and covered with Aubusson tapestry of silk and wool (not original to the chairs), outlined with brass nailing. (en)
P4 has time-span
P8 took place on or within
is rdf:subject of
is P129 is about of
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