About: designed 1684–86, woven 1689–92, Paris     Goto   Sponge   NotDistinct   Permalink

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In a woodland setting, three men and three women dance in a ring. A pile of musical instruments lies in front of them on the bank of a stream. For centuries, these bucolic figures have been called shepherds and shepherdesses, although there are no attributes specifically identifying them as such. This tapestry is from a set of eight, traditionally called Les Sujets de la Fable. The designs for all eight tapestries are based in part upon drawings then in Louis XIV's collection- now preserved in the Louvre- which were all, at that time, attributed to Giulio Romano. Four of the tapestries in this series- all of which are part of The Met’s collection- ultimately take as their inspiration frescos by Giulio Romano and his assistants in the Palazzo Te, Mantua. The design source of this tapestry is Giulio’s fresco depicting folk born under the constellation of the Goat celebrating its ascendency, painted in the Palazzo’s sala dei venti.

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  • designed 1684–86, woven 1689–92, Paris
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  • In a woodland setting, three men and three women dance in a ring. A pile of musical instruments lies in front of them on the bank of a stream. For centuries, these bucolic figures have been called shepherds and shepherdesses, although there are no attributes specifically identifying them as such. This tapestry is from a set of eight, traditionally called Les Sujets de la Fable. The designs for all eight tapestries are based in part upon drawings then in Louis XIV's collection- now preserved in the Louvre- which were all, at that time, attributed to Giulio Romano. Four of the tapestries in this series- all of which are part of The Met’s collection- ultimately take as their inspiration frescos by Giulio Romano and his assistants in the Palazzo Te, Mantua. The design source of this tapestry is Giulio’s fresco depicting folk born under the constellation of the Goat celebrating its ascendency, painted in the Palazzo’s sala dei venti. (en)
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  • 53.225.11
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  • In a woodland setting, three men and three women dance in a ring. A pile of musical instruments lies in front of them on the bank of a stream. For centuries, these bucolic figures have been called shepherds and shepherdesses, although there are no attributes specifically identifying them as such. This tapestry is from a set of eight, traditionally called Les Sujets de la Fable. The designs for all eight tapestries are based in part upon drawings then in Louis XIV's collection- now preserved in the Louvre- which were all, at that time, attributed to Giulio Romano. Four of the tapestries in this series- all of which are part of The Met’s collection- ultimately take as their inspiration frescos by Giulio Romano and his assistants in the Palazzo Te, Mantua. The design source of this tapestry is Giulio’s fresco depicting folk born under the constellation of the Goat celebrating its ascendency, painted in the Palazzo’s sala dei venti. (en)
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  • designed 1684–86, woven 1689–92, Paris
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