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This small fragment has been cut down from a larger tapestry, probably representing the Annunciation. It is attributed to weavers working in Rome at the San Michele manufactory, which had been founded in 1710 by Pope Clement XI to complement the wool and dyeing workshops at the orphanage of San Michele a Ripa. The tapestry is part of a large group of technically proficient tapestries, many made as diplomatic gifts, modelled after paintings in the Vatican collection. With the exception of a handful of more sophisticated tapestry series (like Gerusalemme Liberata, four pieces of which are also in The Met’s collection), these woven copies comprised the main activity of the San Michele weavers, alongside repair and restoration of older northern European tapestries in the papal collection.

AttributesValues
rdf:type
rdfs:label
  • 1726 / 1775, Rome
rdfs:comment
  • This small fragment has been cut down from a larger tapestry, probably representing the Annunciation. It is attributed to weavers working in Rome at the San Michele manufactory, which had been founded in 1710 by Pope Clement XI to complement the wool and dyeing workshops at the orphanage of San Michele a Ripa. The tapestry is part of a large group of technically proficient tapestries, many made as diplomatic gifts, modelled after paintings in the Vatican collection. With the exception of a handful of more sophisticated tapestry series (like Gerusalemme Liberata, four pieces of which are also in The Met’s collection), these woven copies comprised the main activity of the San Michele weavers, alongside repair and restoration of older northern European tapestries in the papal collection. (en)
sameAs
dc:identifier
  • 88.3.108
P3 has note
  • This small fragment has been cut down from a larger tapestry, probably representing the Annunciation. It is attributed to weavers working in Rome at the San Michele manufactory, which had been founded in 1710 by Pope Clement XI to complement the wool and dyeing workshops at the orphanage of San Michele a Ripa. The tapestry is part of a large group of technically proficient tapestries, many made as diplomatic gifts, modelled after paintings in the Vatican collection. With the exception of a handful of more sophisticated tapestry series (like Gerusalemme Liberata, four pieces of which are also in The Met’s collection), these woven copies comprised the main activity of the San Michele weavers, alongside repair and restoration of older northern European tapestries in the papal collection. (en)
P43 has dimension
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P102 has title
  • 1726 / 1775, Rome
is P30 transferred custody of of
is P106 is composed of of
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