Like a classical statue come to life, Neptune, god of the seas, stands with his trident and a dolphin atop a pedestal amid curling plant tendrils, gamboling animals and putti, and elegant swags of drapery. In the cartouche above, Minerva receives a victory palm. This is the only intact version of Neptune from the thrice-woven series of tapestries called the Doria Grotesques. Perino del Vaga designed the eight-piece sequence in about 1545 for the naval commander Andrea Doria to add to the substantial tapestry collection in his glorious palazzo in Fassolo, then just outside the port city of Genoa. The Grotesques, each featuring a different deity, showcase Perino's dexterity in this decorative field, combining respect for antique prototypes with Raphael-inspired Renaissance grace. Neptune, celebrating the mythological figure with whom Doria most identified, was the most significant tapestry in the group. Though designed in Italy, the tapestries were made 500 miles away in the Southern Netherlands, almost certainly in Brussels, where the most celebrated weavers in the world worked. This Neptune is exquisitely woven in wool and silk in a subtle palette, with wonderful hatching and nuanced areas of light and shade that exploit the mediums interplay between trompe l'oeil relief and surface pattern.
| Attributes | Values |
|---|
| rdf:type
| |
| rdfs:label
| - designed 1545, woven ca. 1550, Brussels
|
| rdfs:comment
| - Like a classical statue come to life, Neptune, god of the seas, stands with his trident and a dolphin atop a pedestal amid curling plant tendrils, gamboling animals and putti, and elegant swags of drapery. In the cartouche above, Minerva receives a victory palm. This is the only intact version of Neptune from the thrice-woven series of tapestries called the Doria Grotesques. Perino del Vaga designed the eight-piece sequence in about 1545 for the naval commander Andrea Doria to add to the substantial tapestry collection in his glorious palazzo in Fassolo, then just outside the port city of Genoa. The Grotesques, each featuring a different deity, showcase Perino's dexterity in this decorative field, combining respect for antique prototypes with Raphael-inspired Renaissance grace. Neptune, celebrating the mythological figure with whom Doria most identified, was the most significant tapestry in the group. Though designed in Italy, the tapestries were made 500 miles away in the Southern Netherlands, almost certainly in Brussels, where the most celebrated weavers in the world worked. This Neptune is exquisitely woven in wool and silk in a subtle palette, with wonderful hatching and nuanced areas of light and shade that exploit the mediums interplay between trompe l'oeil relief and surface pattern. (en)
|
| sameAs
| |
| dc:identifier
| |
| P3 has note
| - Like a classical statue come to life, Neptune, god of the seas, stands with his trident and a dolphin atop a pedestal amid curling plant tendrils, gamboling animals and putti, and elegant swags of drapery. In the cartouche above, Minerva receives a victory palm. This is the only intact version of Neptune from the thrice-woven series of tapestries called the Doria Grotesques. Perino del Vaga designed the eight-piece sequence in about 1545 for the naval commander Andrea Doria to add to the substantial tapestry collection in his glorious palazzo in Fassolo, then just outside the port city of Genoa. The Grotesques, each featuring a different deity, showcase Perino's dexterity in this decorative field, combining respect for antique prototypes with Raphael-inspired Renaissance grace. Neptune, celebrating the mythological figure with whom Doria most identified, was the most significant tapestry in the group. Though designed in Italy, the tapestries were made 500 miles away in the Southern Netherlands, almost certainly in Brussels, where the most celebrated weavers in the world worked. This Neptune is exquisitely woven in wool and silk in a subtle palette, with wonderful hatching and nuanced areas of light and shade that exploit the mediums interplay between trompe l'oeil relief and surface pattern. (en)
|
| P43 has dimension
| |
| P65 shows visual item
| |
| P138 has representation
| |
| P102 has title
| - designed 1545, woven ca. 1550, Brussels
|
| is P30 transferred custody of
of | |
| is P106 is composed of
of | |
| is P41 classified
of | |
| is P108 has produced
of | |
| is rdf:subject
of | |
| is P129 is about
of | |
| is P24 transferred title of
of | |
| is crmsci:O8_observed
of | |
![[cxml]](/fct/images/cxml_doc.png)
![[csv]](/fct/images/csv_doc.png)
![[text]](/fct/images/ntriples_doc.png)
![[turtle]](/fct/images/n3turtle_doc.png)
![[ld+json]](/fct/images/jsonld_doc.png)
![[rdf+json]](/fct/images/json_doc.png)
![[rdf+xml]](/fct/images/xml_doc.png)
![[atom+xml]](/fct/images/atom_doc.png)
![[html]](/fct/images/html_doc.png)
![[RDF Data]](/fct/images/sw-rdf-blue.png)