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British Galleries: This is the earliest surviving piece of Martha Edlin's needlework, completed when she was eight years old. Samplers were made to show the development of a young girl's needleworking skills, through a range of stitches and techniques. [27/03/2003]

AttributesValues
rdf:type
rdfs:label
  • 1668, England
rdfs:comment
  • British Galleries: This is the earliest surviving piece of Martha Edlin's needlework, completed when she was eight years old. Samplers were made to show the development of a young girl's needleworking skills, through a range of stitches and techniques. [27/03/2003] (en)
  • Object Type
    Samplers like this were exercises in embroidery stitches and techniques, which had become well established as part of a girl's education by the middle of the 17th century. Typically in this long thin form, they were filled with rows of repeating patterns worked in coloured silks, sometimes interspersed with figures or floral motifs. Their makers often signed and dated them, as Martha Edlin has done here.

    People
    Martha Edlin (1660-1725) worked a series of embroideries during her childhood, including this jewellery case, which were cherished by her descendants and passed down through the female line in her family for over 300 years. We know little about her life, except that she married a man called Richard Richmond and appears to have been a prosperous widow living in Pinner in Greater London at the time she drew up her will, with daughters and grandchildren.

    Materials & Making
    Following the usual development of needlework skills in a young educated girl in the mid-17th century, Martha Edlin embroidered a sampler in coloured silks at the age of eight, and a more complicated piece in whitework and cutwork at nine. By 1671, her eleventh year, she had embroidered the panels of an elaborate casket, and two years later this beadwork jewellery case. The needlework skills she demonstrated in these pieces would be important attributes in her adulthood, in the management of her household and the making, mending and decoration of her own and her family's clothes.
    (en)
  • Band sampler embroidered on linen with silks, made by Martha Edlin, England, signed and dated 1668. (en)
  • Band sampler embroidered on linen with polychrome silks. With three alphabets, inscribed 'Martha Edlin 1668', and with floral motifs, birds and animals. Embroidered with silk in double running, cross, two-sided cross, long-armed cross and satin stitch, and with eyelets. (en)
sameAs
dc:identifier
  • T.433-1990
P3 has note
  • British Galleries: This is the earliest surviving piece of Martha Edlin's needlework, completed when she was eight years old. Samplers were made to show the development of a young girl's needleworking skills, through a range of stitches and techniques. [27/03/2003] (en)
  • Object Type
    Samplers like this were exercises in embroidery stitches and techniques, which had become well established as part of a girl's education by the middle of the 17th century. Typically in this long thin form, they were filled with rows of repeating patterns worked in coloured silks, sometimes interspersed with figures or floral motifs. Their makers often signed and dated them, as Martha Edlin has done here.

    People
    Martha Edlin (1660-1725) worked a series of embroideries during her childhood, including this jewellery case, which were cherished by her descendants and passed down through the female line in her family for over 300 years. We know little about her life, except that she married a man called Richard Richmond and appears to have been a prosperous widow living in Pinner in Greater London at the time she drew up her will, with daughters and grandchildren.

    Materials & Making
    Following the usual development of needlework skills in a young educated girl in the mid-17th century, Martha Edlin embroidered a sampler in coloured silks at the age of eight, and a more complicated piece in whitework and cutwork at nine. By 1671, her eleventh year, she had embroidered the panels of an elaborate casket, and two years later this beadwork jewellery case. The needlework skills she demonstrated in these pieces would be important attributes in her adulthood, in the management of her household and the making, mending and decoration of her own and her family's clothes.
    (en)
  • Band sampler embroidered on linen with silks, made by Martha Edlin, England, signed and dated 1668. (en)
  • Band sampler embroidered on linen with polychrome silks. With three alphabets, inscribed 'Martha Edlin 1668', and with floral motifs, birds and animals. Embroidered with silk in double running, cross, two-sided cross, long-armed cross and satin stitch, and with eyelets. (en)
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  • 1668, England
is P106 is composed of of
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