. . . . . . . . . . . "0.5194"^^ . . . . "0.8429"^^ . . . . . . . "0.3857"^^ . . . . . . . . . . . . . . . . . . . . . "0.4269"^^ . . . . . . . "0.6484"^^ . . . . . "0.6619"^^ . "0.3825"^^ . "0.6039"^^ . . . . . . . "1101 / 1125, China" . . . "0.7813"^^ . . . "0.4354"^^ . . . "1101 / 1125, China" . . . . "0.8737"^^ . . . . . . . . . "0.4107"^^ . . "0.5985"^^ . . . . . "Huizong was the eighth emperor of the Song dynasty and the most artistically accomplished of his imperial line. Finches and Bamboo exemplifies the realistic style of flower-and-\u00ADbird painting practiced at Huizong\u2019s academy. Whether making a study from nature or illustrating a line of poetry, however, the emperor valued capturing the spirit of a subject over literal representation. Here the minutely observed finches are imbued with the vitality of their living counterparts. Drops of lacquer added to the birds\u2019eyes impart a final lifelike touch."@en . . "Huizong was the eighth emperor of the Song dynasty and the most artistically accomplished of his imperial line. Finches and Bamboo exemplifies the realistic style of flower-and-\u00ADbird painting practiced at Huizong\u2019s academy. Whether making a study from nature or illustrating a line of poetry, however, the emperor valued capturing the spirit of a subject over literal representation. Here the minutely observed finches are imbued with the vitality of their living counterparts. Drops of lacquer added to the birds\u2019eyes impart a final lifelike touch."@en . . . . . . "1981.278" . . . "0.7094"^^ . . . . . . . . "0.448"^^ . . . . . . . . . . . . . "0.6525"^^ . . "0.8284"^^ .