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Prefix	IRI
dc	http://purl.org/dc/elements/1.1/
rdfs	http://www.w3.org/2000/01/rdf-schema#
n13	https://www.metmuseum.org/art/collection/search/
n11	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n7	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
prov	http://www.w3.org/ns/prov#
n5	http://data.silknow.org/object/
xsdh	http://www.w3.org/2001/XMLSchema#
n2	http://data.silknow.org/statement/
n4	http://data.silknow.org/activity/

Subject Item: n5:c8f26906-47d9-3a8e-9464-c2709c27f356
rdf:type: ecrm:E22_Man-Made_Object
rdfs:label: 1651 / 1675, Moscow
rdfs:comment: The central scene of the Lamentation of Christ is bordered by a series of saints in roundels, with a particular focus on saints of the Moscow region, including four Metropolitans of Moscow and the important monastic leaders Sergius and Cyril. Also notable is the depiction in the left border of the sainted Tsarevich Dmitri Ivanovich, whose cult flourished following the transfer of his remains to Moscow in 1606.
owl:sameAs: n13:211510
dc:identifier: 46.191
ecrm:P3_has_note: The central scene of the Lamentation of Christ is bordered by a series of saints in roundels, with a particular focus on saints of the Moscow region, including four Metropolitans of Moscow and the important monastic leaders Sergius and Cyril. Also notable is the depiction in the left border of the sainted Tsarevich Dmitri Ivanovich, whose cult flourished following the transfer of his remains to Moscow in 1606.
ecrm:P65_shows_visual_item: n11:743 n11:745
ecrm:P138i_has_representation: n7:d7b6a4d8-211e-3b34-b2f0-544a48f34729 n7:efcf4bb2-2a61-3258-92bb-19e779aa8fe1
ecrm:P102_has_title: 1651 / 1675, Moscow