This HTML5 document contains 17 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

PrefixIRI
dchttp://purl.org/dc/elements/1.1/
rdfshttp://www.w3.org/2000/01/rdf-schema#
n6http://data.silknow.org/vocabulary/
silkhttp://data.silknow.org/ontology/
ecrmhttp://erlangen-crm.org/current/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n14https://collections.mfa.org/objects/
n8http://data.silknow.org/image/
owlhttp://www.w3.org/2002/07/owl#
n2http://data.silknow.org/object/
provhttp://www.w3.org/ns/prov#
xsdhhttp://www.w3.org/2001/XMLSchema#
n7http://data.silknow.org/statement/
n5http://data.silknow.org/object/c1511db8-8d0e-3e5a-b73d-0ad58d63f791/dimension/
n12http://data.silknow.org/activity/

Statements

Subject Item
n2:c1511db8-8d0e-3e5a-b73d-0ad58d63f791
rdf:type
ecrm:E22_Man-Made_Object
rdfs:label
Italy
rdfs:comment
Punto di Venezia a foliami. Popular name punto a cameo. Raised Venetian point. Gros Point de Venise. Inferior to the work of the 17th century but good for the period. A long picot is a sign of decadence. The difference in the openwork of the toilé in this piece and that of 684 is very marked.
owl:sameAs
n14:73856
dc:identifier
01.6326
ecrm:P3_has_note
Punto di Venezia a foliami. Popular name punto a cameo. Raised Venetian point. Gros Point de Venise. Inferior to the work of the 17th century but good for the period. A long picot is a sign of decadence. The difference in the openwork of the toilé in this piece and that of 684 is very marked.
ecrm:P43_has_dimension
n5:1 n5:2
ecrm:P65_shows_visual_item
n6:744
ecrm:P138i_has_representation
n8:00c420cb-31b6-3c43-9e35-8a19d8ae5cd5
ecrm:P102_has_title
Italy
Subject Item
n7:4bd4fd49-342c-5b31-addf-46c322ba83ea
rdf:type
rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
rdf:object
n6:744
rdf:subject
n2:c1511db8-8d0e-3e5a-b73d-0ad58d63f791
prov:wasGeneratedBy
n12:4bd4fd49-342c-5b31-addf-46c322ba83ea
silk:L18
0.489