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Namespace Prefixes

Prefix	IRI
n9	http://data.silknow.org/object/a9ca29cc-3116-35b1-8930-72bea290a728/dimension/
dc	http://purl.org/dc/elements/1.1/
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n14	https://www.metmuseum.org/art/collection/search/
n7	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
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owl	http://www.w3.org/2002/07/owl#
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xsdh	http://www.w3.org/2001/XMLSchema#
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Statements

Subject Item

n4:e88fc745-c6fb-5a02-913b-ba5516f0c1a0

rdf:type

rdf:Statement

rdf:predicate

ecrm:P65_shows_visual_item

rdf:object

n7:743

rdf:subject

n2:a9ca29cc-3116-35b1-8930-72bea290a728

prov:wasGeneratedBy

n12:e88fc745-c6fb-5a02-913b-ba5516f0c1a0

silk:L18

0.7297

Subject Item

n2:a9ca29cc-3116-35b1-8930-72bea290a728

rdf:type

ecrm:E22_Man-Made_Object

rdfs:label

1691~ / 1694~, France

rdfs:comment

This armorial tapestry celebrates the Greder family of Solothurn (Switzerland), many of whom served in the French army. It was probably commissioned by François Laurent Greder (1658–1716) between 1691, when he became a brigadier and 1694, when he was made a knight of the Order of Saint Louis. The dramatic use of the swans to flank the armorial is an allusion to the swan feet that form part of the Greder arms. The tapestry was woven in two pieces which were subsequently sewn together (the seam is visible along the center vertical), probably because the workshop’s loom widths precluded the large dimensions required for the tapestry. The tapestry was likely woven in one of the smaller, less-organized commercial weaving workshops in Paris, such as that of Louis and Jean Baptiste Hinard, or of Gilles Bacor, or in the Lorraine region of France.

owl:sameAs

n14:197655

dc:identifier

35.40.6

ecrm:P3_has_note

This armorial tapestry celebrates the Greder family of Solothurn (Switzerland), many of whom served in the French army. It was probably commissioned by François Laurent Greder (1658–1716) between 1691, when he became a brigadier and 1694, when he was made a knight of the Order of Saint Louis. The dramatic use of the swans to flank the armorial is an allusion to the swan feet that form part of the Greder arms. The tapestry was woven in two pieces which were subsequently sewn together (the seam is visible along the center vertical), probably because the workshop’s loom widths precluded the large dimensions required for the tapestry. The tapestry was likely woven in one of the smaller, less-organized commercial weaving workshops in Paris, such as that of Louis and Jean Baptiste Hinard, or of Gilles Bacor, or in the Lorraine region of France.

ecrm:P43_has_dimension

n9:2 n9:1

ecrm:P65_shows_visual_item

n7:743

ecrm:P138i_has_representation

n6:ad8404fb-73cb-3e67-bb51-af1661a57b89

ecrm:P102_has_title

1691~ / 1694~, France