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Namespace Prefixes

PrefixIRI
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rdfshttp://www.w3.org/2000/01/rdf-schema#
n4https://collections.vam.ac.uk/item/
n7http://data.silknow.org/vocabulary/
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silkhttp://data.silknow.org/ontology/
ecrmhttp://erlangen-crm.org/current/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n6http://data.silknow.org/image/
owlhttp://www.w3.org/2002/07/owl#
n2http://data.silknow.org/object/
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xsdhhttp://www.w3.org/2001/XMLSchema#
n9http://data.silknow.org/statement/
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Statements

Subject Item
n2:66ea9fc3-96fe-3a24-b458-15d8cf30bf11
rdf:type
ecrm:E22_Man-Made_Object
rdfs:label
Bursa
rdfs:comment
Length of silk from the cover of the Prophet's tomb in Medina, Turkey (probably Bursa), 1600-1700. Woven silk textile (lampas weave) with a striking design of calligraphic inscriptions in zigzag bands. The religious inscriptions are executed in a cursive script in yellow, red, and white on a green ground. The inscriptions on the wide bands alternate, and, separated by narrow bands of dense inscription. Jameel Gallery Length of Silk from the Cover of the Prophet's Tomb Turkey, probably Bursa 1600-1700 The designs of these silks changed gradually over time. This is a later example from the tomb of Muhammad. On it, the plain bands between the zigzags have the name of God above the name of Muhammad at every angle. Silk thread in lampas weave Museum no. 781-1892 [2006-2012] Silks with zigzag designs on a green ground were made as a cover for the Prophet Muhammad’s tomb in Medina. The designs of these silks changed gradually over time. This is a later example. On it, the plain bands between the zigzags have the name of God above the name of Muhammad at every angle. Caring for the Prophet’s tomb was a notable honour. When the Ottoman dynasty ruled Medina (1517–1916), special textiles were made to cover his tomb. Similar textiles were sent to decorate the stone shrine known as the Ka’bah in Mecca. Contact with the holy places imbued these covers with ‘barakah’ or divine grace. When the covers were renewed, pieces were preserved as relics.
owl:sameAs
n4:O93503
dc:identifier
781-1892
ecrm:P3_has_note
Silks with zigzag designs on a green ground were made as a cover for the Prophet Muhammad’s tomb in Medina. The designs of these silks changed gradually over time. This is a later example. On it, the plain bands between the zigzags have the name of God above the name of Muhammad at every angle. Caring for the Prophet’s tomb was a notable honour. When the Ottoman dynasty ruled Medina (1517–1916), special textiles were made to cover his tomb. Similar textiles were sent to decorate the stone shrine known as the Ka’bah in Mecca. Contact with the holy places imbued these covers with ‘barakah’ or divine grace. When the covers were renewed, pieces were preserved as relics. Woven silk textile (lampas weave) with a striking design of calligraphic inscriptions in zigzag bands. The religious inscriptions are executed in a cursive script in yellow, red, and white on a green ground. The inscriptions on the wide bands alternate, and, separated by narrow bands of dense inscription. Length of silk from the cover of the Prophet's tomb in Medina, Turkey (probably Bursa), 1600-1700. Jameel Gallery Length of Silk from the Cover of the Prophet's Tomb Turkey, probably Bursa 1600-1700 The designs of these silks changed gradually over time. This is a later example from the tomb of Muhammad. On it, the plain bands between the zigzags have the name of God above the name of Muhammad at every angle. Silk thread in lampas weave Museum no. 781-1892 [2006-2012]
ecrm:P43_has_dimension
n10:2 n10:1
ecrm:P65_shows_visual_item
n7:744
ecrm:P138i_has_representation
n6:adebd881-ed61-3da3-8417-c5435c8a7837
ecrm:P102_has_title
Bursa
Subject Item
n9:07389393-c72e-5c82-b0dc-1337b5e11f3b
rdf:type
rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
rdf:object
n7:744
rdf:subject
n2:66ea9fc3-96fe-3a24-b458-15d8cf30bf11
prov:wasGeneratedBy
n12:07389393-c72e-5c82-b0dc-1337b5e11f3b
silk:L18
0.5585