This HTML5 document contains 42 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

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silkhttp://data.silknow.org/ontology/
ecrmhttp://erlangen-crm.org/current/
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xsdhhttp://www.w3.org/2001/XMLSchema#
n2http://data.silknow.org/statement/
n12http://data.silknow.org/activity/

Statements

Subject Item
n2:19a41467-b3e4-51f3-8e37-6f10f1f156e6
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ecrm:P65_shows_visual_item
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n4:4644d97e-9466-3bcb-9feb-a86f1e5254eb
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ecrm:E22_Man-Made_Object
rdfs:label
1718 / 1720, England
rdfs:comment
In the 18th century, women’s pockets were not sewn into their gowns. Instead they were attached to a tape and tied around the waist as separate garments. Worn under the hoops and petticoats, they were accessed through openings in the gown and petticoat seams. These unfinished pieces of embroidery demonstrate the steps in making pockets. The design is drawn in ink on a piece of linen. The linen is then backed with another piece and set into an embroidery frame for the needlework to be carried out. Once the embroidery is finished, the pocket can be cut out, lined and sewn to the back. Next the edges were are bound and the ties attached. The embroidery pattern on this pocket is the same as its pair, and probably drawn free hand. The large floral motifs with curling leaves and petals echo woven silk designs from the period 1710–1720. This pocket forms part of the Hannah Downes collection of needlework, executed by four generations of women between the late 17th and 19th centuries in Britain. The family tree identifies Hannah Haines, youngest daughter of Hannah Downes, as the maker of this pocket between 1718-1720. Linen backed with linen and embroidered in red silk thread for pocket fronts. The embroidery pattern incorporates large floral motifs.
owl:sameAs
n8:O107964
dc:identifier
T.41&A-1935
ecrm:P3_has_note
In the 18th century, women’s pockets were not sewn into their gowns. Instead they were attached to a tape and tied around the waist as separate garments. Worn under the hoops and petticoats, they were accessed through openings in the gown and petticoat seams. These unfinished pieces of embroidery demonstrate the steps in making pockets. The design is drawn in ink on a piece of linen. The linen is then backed with another piece and set into an embroidery frame for the needlework to be carried out. Once the embroidery is finished, the pocket can be cut out, lined and sewn to the back. Next the edges were are bound and the ties attached. The embroidery pattern on this pocket is the same as its pair, and probably drawn free hand. The large floral motifs with curling leaves and petals echo woven silk designs from the period 1710–1720. This pocket forms part of the Hannah Downes collection of needlework, executed by four generations of women between the late 17th and 19th centuries in Britain. The family tree identifies Hannah Haines, youngest daughter of Hannah Downes, as the maker of this pocket between 1718-1720. Linen backed with linen and embroidered in red silk thread for pocket fronts. The embroidery pattern incorporates large floral motifs.
ecrm:P43_has_dimension
n10:2 n10:3 n10:1
ecrm:P65_shows_visual_item
n3:743 n3:744
ecrm:P138i_has_representation
n14:ff3024a7-44bb-3c82-8519-7d3861bc43e7 n14:0c2ada80-5a77-37cc-99dd-b1a5b5e78888 n14:dc7a4807-bf6a-30d5-a551-55604c3b1eba n14:e5b89a08-d8df-3283-a5dc-6981dc8d9707
ecrm:P102_has_title
1718 / 1720, England