This HTML5 document contains 17 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

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Statements

Subject Item
n2:826c4fd5-e544-5e52-9988-79947a364e38
rdf:type
rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
rdf:object
n10:743
rdf:subject
n6:1e84ac4a-9e58-3a82-a475-b0cfb8187b1f
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n5:826c4fd5-e544-5e52-9988-79947a364e38
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0.6204
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n6:1e84ac4a-9e58-3a82-a475-b0cfb8187b1f
rdf:type
ecrm:E22_Man-Made_Object
rdfs:label
1200.., Spain
rdfs:comment
By portraying this lion with his muscles taut, his fur standing on end, and his gaze intense, the artist conveyed the power of this snarling big cat. Medieval beasts, whether real or imaginary, were often imbued with symbolic meaning, as they are in animal fables today. It is not always possible, however, to reconstruct their specific intention in a given monument, and such beasts could be for “aesthetic delight,” as one thirteenth-century archbishop commented. The monastery from which this fresco comes was abandoned in 1841.
owl:sameAs
n14:471061
dc:identifier
31.38.1a, b
ecrm:P3_has_note
By portraying this lion with his muscles taut, his fur standing on end, and his gaze intense, the artist conveyed the power of this snarling big cat. Medieval beasts, whether real or imaginary, were often imbued with symbolic meaning, as they are in animal fables today. It is not always possible, however, to reconstruct their specific intention in a given monument, and such beasts could be for “aesthetic delight,” as one thirteenth-century archbishop commented. The monastery from which this fresco comes was abandoned in 1841.
ecrm:P43_has_dimension
n9:1 n9:2
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n10:743
ecrm:P138i_has_representation
n12:759fd164-2f71-3818-af3f-b0575285a6f2
ecrm:P102_has_title
1200.., Spain