This HTML5 document contains 24 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Namespace Prefixes

PrefixIRI
n7http://data.silknow.org/object/1e7c5089-8ede-3739-9908-b33db0bd3a8e/dimension/
dchttp://purl.org/dc/elements/1.1/
n14https://collections.vam.ac.uk/item/
rdfshttp://www.w3.org/2000/01/rdf-schema#
n6http://data.silknow.org/vocabulary/
silkhttp://data.silknow.org/ontology/
ecrmhttp://erlangen-crm.org/current/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n11http://data.silknow.org/image/
owlhttp://www.w3.org/2002/07/owl#
n2http://data.silknow.org/object/
provhttp://www.w3.org/ns/prov#
xsdhhttp://www.w3.org/2001/XMLSchema#
n4http://data.silknow.org/statement/
n9http://data.silknow.org/activity/

Statements

Subject Item
n4:1412c40d-5ac9-5a3e-8fdb-a5d2e1e54b67
rdf:type
rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
rdf:object
n6:743
rdf:subject
n2:1e7c5089-8ede-3739-9908-b33db0bd3a8e
prov:wasGeneratedBy
n9:1412c40d-5ac9-5a3e-8fdb-a5d2e1e54b67
silk:L18
0.7269
Subject Item
n2:1e7c5089-8ede-3739-9908-b33db0bd3a8e
rdf:type
ecrm:E22_Man-Made_Object
rdfs:label
1565, Florence
rdfs:comment
Tapestry of woven wool and silk, 'Manhood from The Life of Man', possibly designed by Benedetto di Michele Squilli, Florence, 1565. The figures appear also in a series of six prints of the <i>Life of Man</i> after Stradanus engraved by Furnius in 1570. The engravings link the Ages of Man with the Pilgrimage of Life, Youth is given the choice between the World, the Flesh and the Devil and the Path of Virtue. Manhood is assisted by the four Cardinal Virtues. These most likely reflect the design of the eight lost tapestries linked to humanistic themes given a specifically Christian context. A 14-piece set of tapestries depicting the Life of Man were completed at the workshop of Benedetto Squilli in 1565 for Palazzo Vecchio, of which only four panels survive. The panel in the Victoria and Albert Museum depicts Man midway in his pilgrimage of life, ascending the mountain of salvation in the company of two female figures, Faith and Innocence, together with the winged child personifying Divine Love. Two other women, Religion and Piety, await them half-way up the mountain. The set of tapestries linked the Ages of Man with the Pilgrimage of Life. Youth is given the choice between the World, the Flesh and the Devil and the Path of Virtue. Tapestry of woven wool and silk, depicting a man midway in his pilgrimage of life. Dressed in a short tunic he is seen from the back, ascending the mountain of salvation in the company of two female figure and a winged child. To the right of the man walks the small winged child and one of the women, the latter probably a personification of Faith accompanied by Divine Love. The woman to the left carries a golden bowl from which two wings protrude; she is a personification of Innocence, holding a symbol of the Life of Man.There is a rocky landscape with classical ruins. Two other women, Religion and Piety, await them half-way up the mountain. The border contains thick strapwork and human figures.
owl:sameAs
n14:O101867
dc:identifier
T.110-1975
ecrm:P3_has_note
Tapestry of woven wool and silk, 'Manhood from The Life of Man', possibly designed by Benedetto di Michele Squilli, Florence, 1565. The figures appear also in a series of six prints of the <i>Life of Man</i> after Stradanus engraved by Furnius in 1570. The engravings link the Ages of Man with the Pilgrimage of Life, Youth is given the choice between the World, the Flesh and the Devil and the Path of Virtue. Manhood is assisted by the four Cardinal Virtues. These most likely reflect the design of the eight lost tapestries linked to humanistic themes given a specifically Christian context. Tapestry of woven wool and silk, depicting a man midway in his pilgrimage of life. Dressed in a short tunic he is seen from the back, ascending the mountain of salvation in the company of two female figure and a winged child. To the right of the man walks the small winged child and one of the women, the latter probably a personification of Faith accompanied by Divine Love. The woman to the left carries a golden bowl from which two wings protrude; she is a personification of Innocence, holding a symbol of the Life of Man.There is a rocky landscape with classical ruins. Two other women, Religion and Piety, await them half-way up the mountain. The border contains thick strapwork and human figures. A 14-piece set of tapestries depicting the Life of Man were completed at the workshop of Benedetto Squilli in 1565 for Palazzo Vecchio, of which only four panels survive. The panel in the Victoria and Albert Museum depicts Man midway in his pilgrimage of life, ascending the mountain of salvation in the company of two female figures, Faith and Innocence, together with the winged child personifying Divine Love. Two other women, Religion and Piety, await them half-way up the mountain. The set of tapestries linked the Ages of Man with the Pilgrimage of Life. Youth is given the choice between the World, the Flesh and the Devil and the Path of Virtue.
ecrm:P43_has_dimension
n7:2 n7:3 n7:1
ecrm:P65_shows_visual_item
n6:743
ecrm:P138i_has_representation
n11:429e25ac-3c97-3208-a267-bfc8f9ad94b9
ecrm:P102_has_title
1565, Florence