. . "A shawl was a required fashion accessory during much of the nineteenth century. In the early 1800s long, rectangular, stolelike examples, hand-woven in India with boteh (pine cone) or paisley patterned end panels, were coveted for use with Empire-style dresses. This style was followed by the square shawl and then, with the introduction of wider skirts, by \"plaids\"\u2014a term used not to describe the pattern but to connote a very large and long shawl, usually ten feet by five feet.Stylistically, this shawl demonstrates both a \"four seasons\" layout\u2014in which the ground color is different in each of the quadrants\u2014and an organization a la pivot, indicating the manner in which the vegetation swirls around a central point. The design for the shawl is probably French, but it may have been purchased by a Scottish manufacturer and jacquard-woven in Paisley.[Alice Zrebiec, 1995]"@en . "0.6476"^^ . . . . . . . . . . . . . . . . . . . "0.631"^^ . . . "1826 / 1875" . . "0.5447"^^ . . . . . . "A shawl was a required fashion accessory during much of the nineteenth century. In the early 1800s long, rectangular, stolelike examples, hand-woven in India with boteh (pine cone) or paisley patterned end panels, were coveted for use with Empire-style dresses. This style was followed by the square shawl and then, with the introduction of wider skirts, by \"plaids\"\u2014a term used not to describe the pattern but to connote a very large and long shawl, usually ten feet by five feet.Stylistically, this shawl demonstrates both a \"four seasons\" layout\u2014in which the ground color is different in each of the quadrants\u2014and an organization a la pivot, indicating the manner in which the vegetation swirls around a central point. The design for the shawl is probably French, but it may have been purchased by a Scottish manufacturer and jacquard-woven in Paisley.[Alice Zrebiec, 1995]"@en . "0.6227"^^ . "1826 / 1875" . . . . "0.5088"^^ . . . . . . . "0.6833"^^ . "26.179" . . . . . . "0.7428"^^ . . . . . . .