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Namespace Prefixes

PrefixIRI
dchttp://purl.org/dc/elements/1.1/
n12https://collections.vam.ac.uk/item/
rdfshttp://www.w3.org/2000/01/rdf-schema#
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ecrmhttp://erlangen-crm.org/current/
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n4http://data.silknow.org/statement/
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Statements

Subject Item
n2:143182f9-a3e8-3006-ade9-332689f4dc45
rdf:type
ecrm:E22_Man-Made_Object
rdfs:label
1885~, Shan State
rdfs:comment
Eleanor Gaudoin, a descendant of the royal family of the Shan State of Hsenwi, on a visit to the V&A Indian Study Rooms in 1995, made the following comments: "The roots of shan silk or silk/cotton weft-ikat cloths are to be found in the Lanna/Lao Thai territory of northern Thailand. Lana was a tribute nation to Burma for several centuries until its liberation in c.1780. There could have been a migration of weavers during that period. Otherwise weavers may have been brought back with the 90,000 Thai captives after the sack of Ayuthia in 1767. The most well know of the weft-ikat patterns are: <font -i>zin-me</font> (Chiangmai) and <font -i>bangkok</font> (a chevron design). Weaving was done by women within specialist weaving families in the Inle Lake regiion. The skill and patterns, carefully guarded, passed on from mother to daughter. An agent or `travelling salesman' would then take the finished cloth from court to court or wealthy homes. The silk weft-ikat would not be sold directly at the bazaars. The cloths would be fashioned into <font -i>longyi</font> (tubular skirts). A black cotton waistband would be attached to the top. The <font -i>longyi</font> would be worn with white cotton cross-over jackets fastened with jewelled buttons. An example of a Shan silk and cotton <font -i>longyi</font> chiefly in yellow, pale-blue, red, white, purple and shades of green on a chestnut ground from Inle Lake, Shan States, Burma. In plain weave patterned with weft-ikat and supplementary weft tapestry designs. c. 1885 A rectangle formed with two identical panels hand stitched along the weft edge. The lower part woven in coloured silks; the upper in cotton, with a small quantity of silk. The upper part has a thin check in yellow, pale-blue, and red and white silks, on a chestnut coloured cotton and silk ground. The end is turned back and sewn to admit a running string. The lower part has many horizontal bands, broad and narrow, decorated with a great variety of geometrically-treated motives including fret, hook, dot, cloud and floral motives, chiefly in white, purple and shades of green, yellow and red.
owl:sameAs
n12:O111343
dc:identifier
CIRC.509-1919
ecrm:P3_has_note
Eleanor Gaudoin, a descendant of the royal family of the Shan State of Hsenwi, on a visit to the V&A Indian Study Rooms in 1995, made the following comments: "The roots of shan silk or silk/cotton weft-ikat cloths are to be found in the Lanna/Lao Thai territory of northern Thailand. Lana was a tribute nation to Burma for several centuries until its liberation in c.1780. There could have been a migration of weavers during that period. Otherwise weavers may have been brought back with the 90,000 Thai captives after the sack of Ayuthia in 1767. The most well know of the weft-ikat patterns are: <font -i>zin-me</font> (Chiangmai) and <font -i>bangkok</font> (a chevron design). Weaving was done by women within specialist weaving families in the Inle Lake regiion. The skill and patterns, carefully guarded, passed on from mother to daughter. An agent or `travelling salesman' would then take the finished cloth from court to court or wealthy homes. The silk weft-ikat would not be sold directly at the bazaars. The cloths would be fashioned into <font -i>longyi</font> (tubular skirts). A black cotton waistband would be attached to the top. The <font -i>longyi</font> would be worn with white cotton cross-over jackets fastened with jewelled buttons. An example of a Shan silk and cotton <font -i>longyi</font> chiefly in yellow, pale-blue, red, white, purple and shades of green on a chestnut ground from Inle Lake, Shan States, Burma. In plain weave patterned with weft-ikat and supplementary weft tapestry designs. c. 1885 A rectangle formed with two identical panels hand stitched along the weft edge. The lower part woven in coloured silks; the upper in cotton, with a small quantity of silk. The upper part has a thin check in yellow, pale-blue, and red and white silks, on a chestnut coloured cotton and silk ground. The end is turned back and sewn to admit a running string. The lower part has many horizontal bands, broad and narrow, decorated with a great variety of geometrically-treated motives including fret, hook, dot, cloud and floral motives, chiefly in white, purple and shades of green, yellow and red.
ecrm:P43_has_dimension
n5:2 n5:1
ecrm:P65_shows_visual_item
n9:745
ecrm:P138i_has_representation
n10:0b5c3df6-a986-3fb6-ba2f-9e6ef0fa05ab
ecrm:P102_has_title
1885~, Shan State
Subject Item
n4:f8b77680-f5cf-5e2e-944c-457fb8c4e4fc
rdf:type
rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
rdf:object
n9:745
rdf:subject
n2:143182f9-a3e8-3006-ade9-332689f4dc45
prov:wasGeneratedBy
n14:f8b77680-f5cf-5e2e-944c-457fb8c4e4fc
silk:L18
0.8229