HTML Microdata document

This HTML5 document contains 168 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Namespace Prefixes

Prefix	IRI
n10	http://data.silknow.org/object/02955701-a0ba-3afb-aabc-9eacd9c187ff/dimension/
dc	http://purl.org/dc/elements/1.1/
n13	https://collections.vam.ac.uk/item/
rdfs	http://www.w3.org/2000/01/rdf-schema#
n7	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n14	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
prov	http://www.w3.org/ns/prov#
n6	http://data.silknow.org/object/
xsdh	http://www.w3.org/2001/XMLSchema#
n2	http://data.silknow.org/statement/
n4	http://data.silknow.org/activity/

Statements

Subject Item: n2:0bdd9b33-e73e-5ec5-92be-6819082bbdc4
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n7:743
rdf:subject: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
prov:wasGeneratedBy: n4:0bdd9b33-e73e-5ec5-92be-6819082bbdc4
silk:L18: 0.4934

Subject Item: n2:e4d8f3c4-eadd-560b-bab3-fcf53b767730
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n7:745
rdf:subject: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
prov:wasGeneratedBy: n4:e4d8f3c4-eadd-560b-bab3-fcf53b767730
silk:L18: 0.4727

Subject Item: n2:2be8555b-eaf9-58bc-9076-4d4d0fef341c
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n7:744
rdf:subject: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
prov:wasGeneratedBy: n4:2be8555b-eaf9-58bc-9076-4d4d0fef341c
silk:L18: 0.5588

Subject Item: n2:d7dab8e3-7c0e-5c1f-ae87-c44dc875a706
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n7:745
rdf:subject: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
prov:wasGeneratedBy: n4:d7dab8e3-7c0e-5c1f-ae87-c44dc875a706
silk:L18: 0.7191

Subject Item: n2:376f8c40-8929-5b0b-b98a-36a2eb5432fa
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n7:745
rdf:subject: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
prov:wasGeneratedBy: n4:376f8c40-8929-5b0b-b98a-36a2eb5432fa
silk:L18: 0.5403

Subject Item: n2:c0a7ae54-4b72-563d-92ef-e85052e6f8f1
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n7:745
rdf:subject: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
prov:wasGeneratedBy: n4:c0a7ae54-4b72-563d-92ef-e85052e6f8f1
silk:L18: 0.4909

Subject Item: n2:e60bf5d0-abd5-5203-88e7-d0c90763ee6e
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n7:745
rdf:subject: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
prov:wasGeneratedBy: n4:e60bf5d0-abd5-5203-88e7-d0c90763ee6e
silk:L18: 0.7719

Subject Item: n2:a2ee0b5b-427c-5d31-8941-dcec57a02887
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n7:745
rdf:subject: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
prov:wasGeneratedBy: n4:a2ee0b5b-427c-5d31-8941-dcec57a02887
silk:L18: 0.5246

Subject Item: n2:a4ca886b-456a-53ec-b207-352ef5f51dea
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n7:745
rdf:subject: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
prov:wasGeneratedBy: n4:a4ca886b-456a-53ec-b207-352ef5f51dea
silk:L18: 0.6081

Subject Item: n2:ef7bcf9b-c564-564f-9d62-ad7c0b8b52ef
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n7:744
rdf:subject: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
prov:wasGeneratedBy: n4:ef7bcf9b-c564-564f-9d62-ad7c0b8b52ef
silk:L18: 0.4474

Subject Item: n2:380a888c-5f81-5c6d-b521-a7a5e4893847
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n7:745
rdf:subject: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
prov:wasGeneratedBy: n4:380a888c-5f81-5c6d-b521-a7a5e4893847
silk:L18: 0.8915

Subject Item: n2:d7376da9-90e1-51c6-8d60-5aee36db33e1
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n7:745
rdf:subject: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
prov:wasGeneratedBy: n4:d7376da9-90e1-51c6-8d60-5aee36db33e1
silk:L18: 0.7369

Subject Item: n2:8fd82373-c321-5bbb-ac74-b52b8b373ae6
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n7:745
rdf:subject: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
prov:wasGeneratedBy: n4:8fd82373-c321-5bbb-ac74-b52b8b373ae6
silk:L18: 0.498

Subject Item: n2:f8403d6f-f407-5236-a9a3-730f2949d925
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n7:745
rdf:subject: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
prov:wasGeneratedBy: n4:f8403d6f-f407-5236-a9a3-730f2949d925
silk:L18: 0.7066

Subject Item: n2:b2eef684-25b2-5856-82b7-a9f9f5e7e8ad
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n7:745
rdf:subject: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
prov:wasGeneratedBy: n4:b2eef684-25b2-5856-82b7-a9f9f5e7e8ad
silk:L18: 0.6184

Subject Item: n2:53802251-c604-5fbe-b3f9-18230c39d530
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n7:745
rdf:subject: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
prov:wasGeneratedBy: n4:53802251-c604-5fbe-b3f9-18230c39d530
silk:L18: 0.7641

Subject Item: n2:a3680383-adfd-5123-8143-19a1ff925c8b
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n7:745
rdf:subject: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
prov:wasGeneratedBy: n4:a3680383-adfd-5123-8143-19a1ff925c8b
silk:L18: 0.5957

Subject Item: n2:0636abf4-c135-5ee3-9609-0cacd8abdb55
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n7:744
rdf:subject: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
prov:wasGeneratedBy: n4:0636abf4-c135-5ee3-9609-0cacd8abdb55
silk:L18: 0.5206

Subject Item: n2:86716fd2-65c2-570c-85cc-e3f8f4ab6c60
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n7:745
rdf:subject: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
prov:wasGeneratedBy: n4:86716fd2-65c2-570c-85cc-e3f8f4ab6c60
silk:L18: 0.6568

Subject Item: n2:cc608ed4-5ad7-5379-97d0-6015e7a8d72f
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n7:743
rdf:subject: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
prov:wasGeneratedBy: n4:cc608ed4-5ad7-5379-97d0-6015e7a8d72f
silk:L18: 0.5768

Subject Item: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
rdf:type: ecrm:E22_Man-Made_Object
rdfs:label: 1710 / 1720, England
rdfs:comment: Embroidered wall hanging, worked mainly in tent stitch in silk and wool on a linen canvas ground. Some areas of applique with chain stitch (fruit trees in chinese pots). The design was drawn on the canvas prior to embroidery, and can be seen in some areas where the stitches have dropped out. From this evidence it appears that some small areas of the design (for example flowers) were not executed, or were worked differently from the original design. The canvas ground consists of four pieces of canvas running from side to side of the hanging: two complete loom widths of 93cms, one half width of 51 cms at the upper edge of the hanging, and one width of 81cms at the lower edge. The lower edge has been cut and it is possible that the embroidery was originally deeper. There may also be a section missing from the top of the embroidery. To the left of the centre there is an inverted L-shape cut which runs from the lower edge vertically for half the height and then horizontally to the right for a shorter distance, made for a door opening (visible in 1909 Country Life photograph) (darned across later). The object forms a parallelogram, having been pulled into that shape by the tension produced by the embroidery. The canvas is woven with 22 picks, 22 ends per inch (2.5cm). The design is of a formal garden. It shows an orangery, a parterre, with two classical statues (Mercury and Bacchus) and a round basin with a fountain and statue of a putto riding on a dolphin, the corner of a larger pond (faced with flints, like a grotto ?), a wrought iron gate in the foreground, in the middle of a stone balustrade, with stone lions holding shields, one containing the arms of Knightly (Thomas Foley (d.1737) married Anne Knightly of Fawsley, Northants, c.1688), 14 lemon and orange trees in Chinese porcelain pots, decorated in blue and red on white ground, and urns, flower beds of brown earth with tulips and carnations in formal rows, standard clipped box trees in the centre of the beds, and yews at the corners, some with berries, two standard hollies with berries in urns on the balustrade, row of lilies in pots on the left, rows of miniature larch (?) trees, avenue of pine trees on the left, rick wall to either side of the orangery with espalier fruit trees, possibly grapes, peaches, figs and plums, archways through to the outside: on the left, a grove of trees behind a wall with church tower and flag, blue hills in the distance, and clouds, birds and animals: 2 swans, 2 peacocks, macaw, cockatoo, 3 spaniels, 1 chasing squirrel, and people: a couple by the fountain, a couple by the far left wall, and two men with a black page, far left edge. Depicting a formal garden, known as the larger 'Stoke Edith Hanging'. Embroidered wall hanging, 'Stoke Edith Hanging', England, 1710-1720 Object Type This is the larger of a pair of embroidered wall hangings which came originally from Stoke Edith in Herefordshire. The embroideries depict formal garden scenes, laid out in late-17th-century Anglo-Dutch style. They would have been used like woven tapestries, to line the walls of a room with decorative, narrative scenes. Places Stoke Edith was built by Paul Foley, Speaker of the House of Commons, who demolished the old house on the site and started to build the new one in 1697. The house was completed by his son Thomas after his death in 1699. After a visit by the leading garden designer George London in 1692 the park and gardens were remodelled to his suggestion, and it is likely that pleasure grounds would have been laid out around the house in a series of formal compartments with geometric walks, flower-beds and fountains. Subjects Depicted The gardens depicted in the hangings may reflect the appearance of the real gardens at Stoke Edith in the early 18th century or may be composites of elements of fashionable garden design of the period, which included Chinese porcelain pots and extravagantly fashionable tulips. On the left side of the hanging are two gentlemen walking with a black servant. By the late 17th century many wealthy families had black servants, who were often included in portraits of the aristocracy as emblems of wealth. Materials & Making Family tradition described the hangings as the work of members of the household, but their huge scale and the consistent quality of the embroidery indicate that they must have been made in a professional workshop. British Galleries: This embroidery hung in a bedroom at Stoke Edith, Herefordshire (seen here in a photograph of 1909). The formal garden shown here may represent the real garden at Stoke Edith or may be a composite image of fashionable garden designs of the period. Another embroidery (see photograph, right) showed a related garden scene. Family tradition described them as the work of members of the household, but their huge scale and the consistent quality of the embroidery indicate that they must have been made in a professional workshop. The building of Stoke Edith as a residence for Paul Foley (about 1645-1699), Speaker of the House of Commons, was started in 1697. [27/03/2003] Text written about this object for 'Uncomfortable Truths / Traces of the Trade' gallery trails (Trail 2: 'Black servants in British Homes'), 20 February - 31 December 2007. Helen Mears & Janet Browne. 'EMBROIDERED HANGING FROM STOKE EDITH (DETAIL) / Stoke Edith in Herefordshire was rebuilt by Paul Foley, Speaker of the House of Commons, in 1697. In this embroidery, the ordered symmetry and harmonious design of the house and grounds present an idealised vision of wealthy and fahsionable life in the early 18th century. On the left can be seen a well-dressed black servant accompanying the two European figures. Black servants at this time were coveted status symbols, with the same 'exotic' associations that made Chinese porcelain and Indian chintzes so desirable.' [20/02/2007]
owl:sameAs: n13:O10421
dc:identifier: T.568-1996
ecrm:P3_has_note: Object Type This is the larger of a pair of embroidered wall hangings which came originally from Stoke Edith in Herefordshire. The embroideries depict formal garden scenes, laid out in late-17th-century Anglo-Dutch style. They would have been used like woven tapestries, to line the walls of a room with decorative, narrative scenes. Places Stoke Edith was built by Paul Foley, Speaker of the House of Commons, who demolished the old house on the site and started to build the new one in 1697. The house was completed by his son Thomas after his death in 1699. After a visit by the leading garden designer George London in 1692 the park and gardens were remodelled to his suggestion, and it is likely that pleasure grounds would have been laid out around the house in a series of formal compartments with geometric walks, flower-beds and fountains. Subjects Depicted The gardens depicted in the hangings may reflect the appearance of the real gardens at Stoke Edith in the early 18th century or may be composites of elements of fashionable garden design of the period, which included Chinese porcelain pots and extravagantly fashionable tulips. On the left side of the hanging are two gentlemen walking with a black servant. By the late 17th century many wealthy families had black servants, who were often included in portraits of the aristocracy as emblems of wealth. Materials & Making Family tradition described the hangings as the work of members of the household, but their huge scale and the consistent quality of the embroidery indicate that they must have been made in a professional workshop. Embroidered wall hanging, 'Stoke Edith Hanging', England, 1710-1720 Embroidered wall hanging, worked mainly in tent stitch in silk and wool on a linen canvas ground. Some areas of applique with chain stitch (fruit trees in chinese pots). The design was drawn on the canvas prior to embroidery, and can be seen in some areas where the stitches have dropped out. From this evidence it appears that some small areas of the design (for example flowers) were not executed, or were worked differently from the original design. The canvas ground consists of four pieces of canvas running from side to side of the hanging: two complete loom widths of 93cms, one half width of 51 cms at the upper edge of the hanging, and one width of 81cms at the lower edge. The lower edge has been cut and it is possible that the embroidery was originally deeper. There may also be a section missing from the top of the embroidery. To the left of the centre there is an inverted L-shape cut which runs from the lower edge vertically for half the height and then horizontally to the right for a shorter distance, made for a door opening (visible in 1909 Country Life photograph) (darned across later). The object forms a parallelogram, having been pulled into that shape by the tension produced by the embroidery. The canvas is woven with 22 picks, 22 ends per inch (2.5cm). The design is of a formal garden. It shows an orangery, a parterre, with two classical statues (Mercury and Bacchus) and a round basin with a fountain and statue of a putto riding on a dolphin, the corner of a larger pond (faced with flints, like a grotto ?), a wrought iron gate in the foreground, in the middle of a stone balustrade, with stone lions holding shields, one containing the arms of Knightly (Thomas Foley (d.1737) married Anne Knightly of Fawsley, Northants, c.1688), 14 lemon and orange trees in Chinese porcelain pots, decorated in blue and red on white ground, and urns, flower beds of brown earth with tulips and carnations in formal rows, standard clipped box trees in the centre of the beds, and yews at the corners, some with berries, two standard hollies with berries in urns on the balustrade, row of lilies in pots on the left, rows of miniature larch (?) trees, avenue of pine trees on the left, rick wall to either side of the orangery with espalier fruit trees, possibly grapes, peaches, figs and plums, archways through to the outside: on the left, a grove of trees behind a wall with church tower and flag, blue hills in the distance, and clouds, birds and animals: 2 swans, 2 peacocks, macaw, cockatoo, 3 spaniels, 1 chasing squirrel, and people: a couple by the fountain, a couple by the far left wall, and two men with a black page, far left edge. Depicting a formal garden, known as the larger 'Stoke Edith Hanging'. British Galleries: This embroidery hung in a bedroom at Stoke Edith, Herefordshire (seen here in a photograph of 1909). The formal garden shown here may represent the real garden at Stoke Edith or may be a composite image of fashionable garden designs of the period. Another embroidery (see photograph, right) showed a related garden scene. Family tradition described them as the work of members of the household, but their huge scale and the consistent quality of the embroidery indicate that they must have been made in a professional workshop. The building of Stoke Edith as a residence for Paul Foley (about 1645-1699), Speaker of the House of Commons, was started in 1697. [27/03/2003] Text written about this object for 'Uncomfortable Truths / Traces of the Trade' gallery trails (Trail 2: 'Black servants in British Homes'), 20 February - 31 December 2007. Helen Mears & Janet Browne. 'EMBROIDERED HANGING FROM STOKE EDITH (DETAIL) / Stoke Edith in Herefordshire was rebuilt by Paul Foley, Speaker of the House of Commons, in 1697. In this embroidery, the ordered symmetry and harmonious design of the house and grounds present an idealised vision of wealthy and fahsionable life in the early 18th century. On the left can be seen a well-dressed black servant accompanying the two European figures. Black servants at this time were coveted status symbols, with the same 'exotic' associations that made Chinese porcelain and Indian chintzes so desirable.' [20/02/2007]
ecrm:P43_has_dimension: n10:4 n10:5 n10:2 n10:3 n10:1
ecrm:P65_shows_visual_item: n7:743 n7:744 n7:745
ecrm:P138i_has_representation: n14:bc0a8ed1-9fef-3a72-b4fc-44f648e954bb n14:d0fdb926-8a74-3331-8748-dedae17c92b9 n14:dc8f364c-5808-3bbd-85e8-e1d33f49e8aa n14:ddc5f9d4-fc40-3b74-8dee-1eb5e07fd0cb n14:7c1caa3a-be46-3666-b882-377d30fe6577 n14:940740d9-5f45-3ce5-8b62-9a086b895241 n14:954da57d-0d1a-3fc8-a115-d1619e1ff891 n14:b4983679-b8c1-3310-b926-0cb1802fccc5 n14:20a550d5-c4d8-3a5a-9f90-2043ef543732 n14:34ddcab7-840b-3d9d-a4ab-c19abdca1ad7 n14:534ba77e-b10b-3fa3-898e-1e4f00c55e74 n14:637751e8-7a5f-377f-81bb-08c13f0fbb4c n14:1564226b-0263-3f19-bdde-0267f33289dc n14:e9c45711-81ef-3e66-8354-68100cbd6812 n14:ebd5f7fa-5c88-3684-914a-ff00e4c1e79f n14:f845d157-df51-3593-8c20-5678222efce5 n14:fc1b207a-fcf4-3f80-a0f6-4f70e1a99ab5 n14:dfb00044-412f-32de-95f5-e27ae2fd660a n14:e011a69e-0494-3049-a81d-ff2bfa2effa6 n14:e0b7b2ad-576e-3742-a80a-e46d38487e06 n14:e32160b4-4d41-35ac-8b30-1a721a477998
ecrm:P102_has_title: 1710 / 1720, England

Subject Item: n2:8ded6d7e-9719-56b7-a091-b8751b23bf30
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n7:743
rdf:subject: n6:02955701-a0ba-3afb-aabc-9eacd9c187ff
prov:wasGeneratedBy: n4:8ded6d7e-9719-56b7-a091-b8751b23bf30
silk:L18: 0.4199