<http://vocab.getty.edu/aat/300021601>	<http://www.w3.org/2004/02/skos/core#scopeNote>	"Nationality, styles, and culture of the Mamluks, a warrior caste who came to rule Egypt and Syria from about 1250 to the early 16th century although they were influential and powerful in the Middle East for over 700 years. Mamluk architecture was basically conservative and not particularly innovative but it is prolific and generally of very high quality. Mamluk architecture is distinguished by the use of incredibly elaborate minarets, huge facades and portals, and the tendency to build structures with different uses in a single complex. Patrons also typically built their major monuments close to one another. The Mamluks are also known for their technical virtuosity in stone construction; masons often alternated different colored stones on the surfaces of buildings. Almost 3000 major Mamluk monuments have been preserved or are known through texts; most monuments in the old quarters of Cairo, Damascus, Tripoli, and Aleppo are Mamluk and most on the Haram ash-Sharif in Jerusalem, outside the Dome of the Rock, are Mamluk as well. Like architecture, the other arts of the Mamluk period achieved a high level of technical perfection but are not known for their originality; there are noteworthy examples of inlaid metalwork, calligraphy, mosque lamps, and wooden objects. Not only a pottery style -- is a cultureBrit, culture that controlled several Muslim states during the Middle Ages.OED of the regime that ruled Egypt as a sultanate from 1250 until 1517, continuing as a ruling military caste of Egypt as a pashalik under Ottoman sovereignty until 1812, and of Syria from 1260 to 1516."@en .
<http://vocab.getty.edu/aat/300021601>	<http://purl.org/dc/terms/created>	"1988-01-01T00:00:00"^^<http://www.w3.org/2001/XMLSchema#dateTime> .
<http://vocab.getty.edu/aat/300021601>	<http://www.w3.org/2004/02/skos/core#broader>	<http://vocab.getty.edu/aat/300021516> .
<http://vocab.getty.edu/aat/300021601>	<http://www.w3.org/2004/02/skos/core#prefLabel>	"\u99AC\u6728\u8DEF\u514B (\u57C3\u53CA\u8207\u6558\u5229\u4E9E\u7684\u4F0A\u65AF\u862D\u98A8\u683C\u8207\u6642\u4EE3)"@zh-hant .
<http://vocab.getty.edu/aat/300021601>	<http://www.w3.org/2004/02/skos/core#altLabel>	"Mameluk (culture or style)"@en .
<http://vocab.getty.edu/aat/300021601>	<http://www.w3.org/2004/02/skos/core#inScheme>	<http://vocab.getty.edu/aat/> .
<http://vocab.getty.edu/aat/300021601>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/2004/02/skos/core#Concept> .
<http://vocab.getty.edu/aat/300021601>	<http://www.w3.org/2004/02/skos/core#altLabel>	"Mameluke (culture or style)"@en .
<http://vocab.getty.edu/aat/300021601>	<http://www.w3.org/2004/02/skos/core#prefLabel>	"ma m\u00F9 l\u00F9 k\u00E8"@zh-latn-pinyin-x-hanyu .
<http://vocab.getty.edu/aat/300021601>	<http://purl.org/dc/elements/1.1/identifier>	"300021601" .
<http://vocab.getty.edu/aat/300021601>	<http://www.w3.org/2004/02/skos/core#altLabel>	"\u99AC\u7A46\u9B6F\u514B"@zh-hant .
<http://vocab.getty.edu/aat/300021601>	<http://www.w3.org/2004/02/skos/core#prefLabel>	"ma mu lu ke"@zh-latn-pinyin-x-notone .
<http://vocab.getty.edu/aat/300021601>	<http://purl.org/dc/terms/modified>	"2017-08-25T11:22:23"^^<http://www.w3.org/2001/XMLSchema#dateTime> .
<http://vocab.getty.edu/aat/300021601>	<http://www.w3.org/2004/02/skos/core#altLabel>	"Maml\u016Bk (culture or style)"@en .
<http://vocab.getty.edu/aat/300021601>	<http://www.w3.org/2004/02/skos/core#prefLabel>	"ma mu lu k'o"@zh-latn-wadegile .
<http://vocab.getty.edu/aat/300021601>	<http://www.w3.org/2004/02/skos/core#scopeNote>	"Verwijst naar de kunst en architectuur die is verbonden met de mammelukken, een krijgerskaste die Egypte en Syri\u00EB regeerde vanaf ongeveer 1250 tot de vroege 16de eeuw, en die in het Midden-Oosten meer dan 700 jaar invloedrijk en machtig is geweest. Mammeluk-architectuur was in wezen conservatief en niet erg vernieuwend, maar wel rijk en over het algemeen van zeer hoge kwaliteit. Mammeluk-architectuur wordt gekenmerkt door het gebruik van zeer fijn afgewerkte minaretten, enorme fa\u00E7ades en portalen, en de tendens om structuren voor verschillende toepassingen te bouwen in een enkel complex. Begunstigers bouwden hun belangrijke monumenten gewoonlijk ook dichtbij elkaar. De mammelukken staan ook bekend om hun technische virtuositeit in stenen constructies; metselaars gebruikten verschillend gekleurde stenen op de oppervlakken van gebouwen. Er zijn bijna 3000 belangrijke mammelukmonumenten bewaard gebleven of bekend gebleven via teksten; de meeste monumenten in de oude wijken van Ca\u00EFro, Damascus, Tripoli en Aleppo zijn mammeluks, evenals de meeste monumenten op de Haram ash-Sharif in Jeruzalem, buiten de Rotskoepel. Net als architectuur bereikten ook de overige kunsten van de mammelukperiode een hoog niveau van technische perfectie, maar staan ze niet bekend om hun originaliteit; er bestaan wel bezienswaardige voorbeelden van ingelegd metaalwerk, kalligrafie, moskeelampen en houten objecten."@nl .
<http://vocab.getty.edu/aat/300021601>	<http://www.w3.org/2004/02/skos/core#prefLabel>	"Mamluk (culture or style)"@en .
<http://vocab.getty.edu/aat/300021601>	<http://www.w3.org/2004/02/skos/core#scopeNote>	"\u7528\u4EE5\u8868\u793A\u8207\u99AC\u7A46\u9B6F\u514B\u738B\u671D\u6709\u95DC\u7684\u85DD\u8853\u8207\u5EFA\u7BC9\u3002\u99AC\u7A46\u9B6F\u514B\u738B\u5BA4\u96B8\u5C6C\u65BC\u6230\u58EB\u968E\u5C64\uFF0C\u96D6\u7136\u5728\u4E2D\u6771\u64C1\u6709\u8D85\u904E\u4E03\u767E\u5E74\u7684\u5F71\u97FF\u529B\u8207\u52E2\u529B\uFF0C\u4F46\u76F4\u5230\u7D04\u897F\u5143 1250 \u5E74\u8D77\u4E00\u76F4\u5230\u5341\u516D\u4E16\u7D00\u521D\u624D\u4F86\u5230\u57C3\u53CA\u8207\u6558\u5229\u4E9E\uFF0C\u6210\u70BA\u7576\u5730\u7684\u7D71\u6CBB\u8005\u3002\u57FA\u672C\u4E0A\uFF0C\u99AC\u7A46\u9B6F\u514B\u6642\u671F\u7684\u5EFA\u7BC9\u8DA8\u65BC\u4FDD\u5B88\uFF0C\u4E26\u7121\u7279\u5225\u5275\u65B0\u4E4B\u8209\uFF0C\u4F46\u662F\u5EFA\u7BC9\u6578\u91CF\u9F90\u5927\uFF0C\u800C\u4E14\u901A\u5E38\u54C1\u8CEA\u975E\u5E38\u9AD8\u3002\u99AC\u7A46\u9B6F\u514B\u6642\u671F\u7684\u5EFA\u7BC9\u7279\u8272\u662F\u63A1\u7528\u88FD\u4F5C\u7CBE\u7F8E\u7684\u5BA3\u79AE\u5854\uFF0C\u4EE5\u53CA\u96C4\u5049\u7684\u5EFA\u7BC9\u5916\u89C0\u8207\u6B63\u9580\uFF1B\u6B64\u5916\uFF0C\u4EA6\u50BE\u5411\u65BC\u5728\u55AE\u4E00\u8907\u5408\u5F0F\u5EFA\u7BC9\u5167\u5EFA\u9020\u51FA\u4E0D\u540C\u7528\u9014\u7684\u7D50\u69CB\u3002\u6B64\u4E00\u6642\u671F\u7684\u5EFA\u7BC9\u8D0A\u52A9\u8005\u901A\u5E38\u6703\u5C07\u5176\u4E3B\u8981\u5EFA\u7BC9\u4F5C\u54C1\u5EFA\u5728\u6BD4\u9130\u65BC\u5176\u4ED6\u4F5C\u54C1\u4E4B\u8655\u3002\u99AC\u7A46\u9B6F\u514B\u738B\u671D\u540C\u6642\u4E5F\u4EE5\u5176\u7CBE\u6E5B\u7684\u77F3\u69CB\u5EFA\u7BC9\u6280\u8853\u805E\u540D\uFF1B\u7576\u6642\u7684\u77F3\u5320\u7D93\u5E38\u4EA4\u66FF\u4F7F\u7528\u4E0D\u540C\u984F\u8272\u7684\u77F3\u982D\u4F86\u88DD\u98FE\u5EFA\u7BC9\u7269\u7684\u8868\u9762\u3002\u99AC\u7A46\u9B6F\u514B\u6642\u671F\u7684\u4E09\u5343\u5EA7\u91CD\u8981\u5EFA\u7BC9\u5E7E\u4E4E\u7686\u5B8C\u6574\u4FDD\u5B58\u4E0B\u4F86\uFF0C\u6216\u662F\u5728\u6587\u737B\u5167\u6709\u6240\u8A18\u8F09\uFF1B\u4F4D\u65BC\u958B\u7F85\uFF08Cairo\uFF09\u3001\u5927\u99AC\u58EB\u9769\uFF08Damascus\uFF09\u3001\u7684\u9ECE\u6CE2\u91CC\uFF08Tripoli\uFF09\u53CA\u963F\u52D2\u6CE2\uFF08Aleppo\uFF09\u820A\u57CE\u5340\u7684\u5927\u591A\u6578\u91CD\u8981\u6B77\u53F2\u5EFA\u7BC9\u90FD\u6E90\u81EA\u99AC\u7A46\u9B6F\u514B\u6642\u671F\u3002\u800C\u8036\u8DEF\u6492\u51B7\u8056\u6BBF\u5C71\uFF08Haram ash-Sharif\uFF09\u7684\u5713\u9802\u6E05\u771F\u5BFA\uFF08Dome of the Rock\uFF09\u5916\u4EA6\u53EF\u898B\u91CD\u8981\u6B77\u53F2\u5EFA\u7BC9\uFF1B\u5176\u4E2D\u5927\u591A\u6578\u4EA6\u6E90\u81EA\u99AC\u7A46\u9B6F\u514B\u6642\u671F\u3002\u99AC\u7A46\u9B6F\u514B\u6642\u671F\u7684\u5176\u4ED6\u85DD\u8853\u5F62\u5F0F\u5C31\u5982\u540C\u5EFA\u7BC9\u4E00\u822C\uFF0C\u4EA6\u9054\u5230\u76F8\u7576\u9AD8\u7684\u6280\u8853\u6C34\u6E96\uFF0C\u4F46\u4E26\u975E\u4EE5\u539F\u5275\u6027\u8457\u7A31\uFF0C\u5176\u4E2D\u503C\u5F97\u4F4F\u610F\u7684\u4F5C\u54C1\u5305\u62EC\u5177\u6709\u9472\u98FE\u7684\u91D1\u5C6C\u88FD\u54C1\u3001\u66F8\u6CD5\u3001\u6E05\u771F\u5BFA\u6CB9\u71C8\u53CA\u6728\u88FD\u54C1\u3002"@zh-hant .
<http://vocab.getty.edu/aat/300021601>	<http://www.w3.org/2004/02/skos/core#prefLabel>	"Mamluco (estilos y periodos egipcios y sirios)"@es .
<http://vocab.getty.edu/aat/300021601>	<http://www.w3.org/2004/02/skos/core#prefLabel>	"mammeluks"@nl .
<http://vocab.getty.edu/aat/300021601>	<http://www.w3.org/2004/02/skos/core#scopeNote>	"Se refiere al arte y arquitectura asociados a los Mameluco, una casta guerrera que llegaron a gobernar Egipto y Siria desde alrededor del a\u00F1o 1250 hasta comienzos del siglo XVI, sin embargo influyeron y llegaron a ser poderosos en el Medio Oriente por sobre 700 a\u00F1os. Los arquitectos Mameluco fueron b\u00E1sicamente conservadores y no especialmente inovadores, no obstante muy prol\u00EDficos y de alta calidad. Los arquitectos Mameluco se distinguieron por el uso de minaretes increiblemente elaborados, fachadas y portales monumentales y una tendencia a construir estructuras con diferentes usos en un s\u00F3lo espacio. T\u00EDpicamente, los patronos constru\u00EDan sus monumentos muy cercanos unos a otros. Los Mameluco tambi\u00E9n son conocidos por su virtuosismo t\u00E9cnico en la construcci\u00F3n en piedra. El trabajo de masoner\u00EDa sobre la superficie de los edificios pod\u00EDa alternar piedras de diferentes colores. Los monumentos Mameluco han sido preservados por alrededor de 3000 a\u00F1os y son conocidos a trav\u00E9s de textos; la mayor\u00EDa de los monumentos de los barrios antiguos de El Cairo, Damasco, Tr\u00EDpoli y Aleppo, son de origen Mameluco, as\u00ED como tambi\u00E9n los que se ubican en Haram ash-Sharif en Jerusal\u00E9n, en las afueras del Domo de la Roca. As\u00ED como con la arquitectura, las otras artes del periodo Mameluco consiguieron altos niveles de perfecci\u00F3n t\u00E9cnica, pero no son conocidas por su originalidad; son notables ejemplos del trabajo en metal, caligraf\u00EDa, l\u00E1mparas para mezquitas y objetos de madera."@es .