. . . . "designed ca. 1689\u201393, woven 1732\u201339, Rome" . "Commissioned by Cardinal Pietro Ottoboni, a great-nephew of Pope Alexander VIII, this was part of a massive series, heroic in scale as well as narrative, of fifteen tapestries depicting the romanticized version of the Christians\u2019 First Crusade into Jerusalem recounted in Tasso\u2019s sixteenth-century epic poem, Gerusalemme Liberata (Jerusalem Delivered). In a gentle illusionistic interplay of spatial projection and recession, double-headed eagles (alluding to the Ottoboni arms), settle on the imposing sculptural surround to a landscape scene in which the Turkish princess, Erminia, fleeing from Christian soldiers, seeks shelter with a shepherd and his family."@en . . . "0.7706000208854675293"^^ . . . . "Commissioned by Cardinal Pietro Ottoboni, a great-nephew of Pope Alexander VIII, this was part of a massive series, heroic in scale as well as narrative, of fifteen tapestries depicting the romanticized version of the Christians\u2019 First Crusade into Jerusalem recounted in Tasso\u2019s sixteenth-century epic poem, Gerusalemme Liberata (Jerusalem Delivered). In a gentle illusionistic interplay of spatial projection and recession, double-headed eagles (alluding to the Ottoboni arms), settle on the imposing sculptural surround to a landscape scene in which the Turkish princess, Erminia, fleeing from Christian soldiers, seeks shelter with a shepherd and his family."@en . "designed ca. 1689\u201393, woven 1732\u201339, Rome" . "0.72180002927780151367"^^ . . . . "0.53860002756118774414"^^ . . . . "0.69770002365112304688"^^ . . . . . . . . . . . . . "92.1.17" . . . . . "0.69090002775192260742"^^ . . . .