. . . . . "0.90030002593994140625"^^ . . . . . . . . . . . . . . . . . . . . . . . . . "0.89550000429153442383"^^ . . . "0.97949999570846557617"^^ . . "0.87519997358322143555"^^ . . . . . . . . . . . . . "0.91710001230239868164"^^ . . . . . "0.9692999720573425293"^^ . . "Fine chain stitch embroidery of this type was made by professional male embroiderers of the Mochi community in Gujarat in western India. It was worked with both a hook, called an ari, and a needle. Originally developed for embroidering on leather, for items such as belts, floor-coverings and shoes, the ari-work was adapted for use on cloth, and soon attracted the attention of western travellers to Gujarat. The East India Company exported these embroideries from the port of Cambay (modern Khambat), and they were known as 'Cambay embroideries'. \nThis piece is an early example of the type, and was used at Ashburnham House in Sussex, along with chintz hangings of very similar design. The deep blue is produced by indigo dyeing, and the pink of the flowers by the use of lac, a dye secreted by the insect Kerria lacca kerr."@en . . . . "Wall hanging of embroidered cotton with silk yarn in chain stitch. Cream cotton ground with silk chain stitch embroidery pattern of blue leaves, red-and-yellow flowers and multi-coloured birds and animals. Made of two panels stitched together vertically. Possibly also for a bed, but traces of nail holes at the sides suggest it was used as a wall-hanging at some stage."@en . . . . . . "0.77749997377395629883"^^ . . . . . . . . . . . . . . . "0.8421999812126159668"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "0.9340000152587890625"^^ . . . . . "Wall hanging of embroidered cotton with silk yarn in chain stitch. Cream cotton ground with silk chain stitch embroidery pattern of blue leaves, red-and-yellow flowers and multi-coloured birds and animals. Made of two panels stitched together vertically. Possibly also for a bed, but traces of nail holes at the sides suggest it was used as a wall-hanging at some stage."@en . . . . . . "0.91000002622604370117"^^ . "0.96149998903274536133"^^ . "0.93940001726150512695"^^ . "Fine chain stitch embroidery of this type was made by professional male embroiderers of the Mochi community in Gujarat in western India. It was worked with both a hook, called an ari, and a needle. Originally developed for embroidering on leather, for items such as belts, floor-coverings and shoes, the ari-work was adapted for use on cloth, and soon attracted the attention of western travellers to Gujarat. The East India Company exported these embroideries from the port of Cambay (modern Khambat), and they were known as 'Cambay embroideries'. \nThis piece is an early example of the type, and was used at Ashburnham House in Sussex, along with chintz hangings of very similar design. The deep blue is produced by indigo dyeing, and the pink of the flowers by the use of lac, a dye secreted by the insect Kerria lacca kerr."@en . . "0.85949999094009399414"^^ . "1700~, Gujarat" . . . . . . "0.87580001354217529297"^^ . "0.96609997749328613281"^^ . . . "0.79739999771118164062"^^ . . . . . . "0.91089999675750732422"^^ . . . "0.97930002212524414062"^^ . . . . "0.88859999179840087891"^^ . . "Wall hanging of embroidered cotton with silks, Gujarat, ca. 1700."@en . . . "1700~, Gujarat" . . . . . "IS.155-1953" . . . . "0.80909997224807739258"^^ . . . . . . "0.85680001974105834961"^^ . . . . . . . . . . "0.97860002517700195312"^^ . "HANGING\nCotton embroidered with silk thread\nGujarat, Western India\nc. 1700\nIS.155-1953\n\nThis panel was part of a set of chintz and embroidered bed- and wall-hangings formerly in Ashburnham House in Sussex. The embroideries copy the designs of the chintzes in simplified form. The intense colours of the silk embroidery thread were produced by repeated dyeing with indigo (blue) and the insect dye\nlac for red. [27/9/2013]\nGUJARATI EMBROIDERY \n\nGujaratis 'embroider the best of any people in India, and perhaps in the world', said one 18th-century English scholar. Gujarati embroidery was in huge demand in Europe in the 17th and 18th centuries. Men from Gujarat embroidered this hanging in chainstitch, using both a hook (ari) and needle. The cloth has nail-holes along its edges, suggesting that it was attached to a bed or wall-panel.\n\nCotton, embroidered with silk\nGujarat, 1680-1700\nV&A: IS.155-1953 [03/10/2015-10/01/2016]"@en . "0.82749998569488525391"^^ . . . . . . "0.96410000324249267578"^^ . "Wall hanging of embroidered cotton with silks, Gujarat, ca. 1700."@en . . . . "0.89289999008178710938"^^ . . . "0.9765999913215637207"^^ . "0.87860000133514404297"^^ . "0.93099999427795410156"^^ . . . . . . "0.81989997625350952148"^^ . . . . . . . . . . . "0.92189997434616088867"^^ . "HANGING\nCotton embroidered with silk thread\nGujarat, Western India\nc. 1700\nIS.155-1953\n\nThis panel was part of a set of chintz and embroidered bed- and wall-hangings formerly in Ashburnham House in Sussex. The embroideries copy the designs of the chintzes in simplified form. The intense colours of the silk embroidery thread were produced by repeated dyeing with indigo (blue) and the insect dye\nlac for red. [27/9/2013]\nGUJARATI EMBROIDERY \n\nGujaratis 'embroider the best of any people in India, and perhaps in the world', said one 18th-century English scholar. Gujarati embroidery was in huge demand in Europe in the 17th and 18th centuries. Men from Gujarat embroidered this hanging in chainstitch, using both a hook (ari) and needle. The cloth has nail-holes along its edges, suggesting that it was attached to a bed or wall-panel.\n\nCotton, embroidered with silk\nGujarat, 1680-1700\nV&A: IS.155-1953 [03/10/2015-10/01/2016]"@en . . .