"1640~ / 1650~, Amsterdam" . . . . "0.4815"^^ . . . . . . . . "0.5854"^^ . . . . "0.8046"^^ . . "2011.181" . . "0.4815"^^ . . . "0.8765"^^ . . . . . . . . . "0.6947"^^ . "The sophisticated ripple moldings on the cabinet\u2019s exterior playfully bring out the lustrous quality of the severe black ebony. Other tropical veneers as well as inlays of mother-of-pearl and green-stained horn enliven the cabinet\u2019s interior which encloses multiple drawers as well as a compartment with a mirror-lined \"stage\" for the display of a treasured artwork. This cabinet is attributed to Herman Doomer, one of the few cabinetmakers working with ebony and mother-of-pearl in Amsterdam, the foremost European market for such exotic materials. Doomer gained fame through the portrait Rembrandt painted of him, also in the Museum's collection (see 29.100.1)."@en . . . . . . "0.8306"^^ . . "0.8194"^^ . . . "0.8448"^^ . . . . . . "1640~ / 1650~, Amsterdam" . . "0.8824"^^ . . . . . . . . . . . . "0.4922"^^ . "The sophisticated ripple moldings on the cabinet\u2019s exterior playfully bring out the lustrous quality of the severe black ebony. Other tropical veneers as well as inlays of mother-of-pearl and green-stained horn enliven the cabinet\u2019s interior which encloses multiple drawers as well as a compartment with a mirror-lined \"stage\" for the display of a treasured artwork. This cabinet is attributed to Herman Doomer, one of the few cabinetmakers working with ebony and mother-of-pearl in Amsterdam, the foremost European market for such exotic materials. Doomer gained fame through the portrait Rembrandt painted of him, also in the Museum's collection (see 29.100.1)."@en . . . . . . . . . . . . . . . . . . . .