"0.46700000762939453125"^^ . . "1780~, Guangzhou" . . . . . . . "Chasuble, stole and maniple, painted silk satin, Guangzhou, China, Qing dynasty, Qianlong period, ca. 1780"@en . "Chasuble, stole and maniple, painted silk satin, Guangzhou, China, Qing dynasty, Qianlong period, ca. 1780"@en . . . . . . . . "Part of a set of vestments for low mass (part), comprising chasuble, stole, maniple, chalice veil and burse. Symmetrical pattern (outlined in silver) of peonies, lotuses and other flowers. Lined with red silk, two red silk tying-strings."@en . "1780~, Guangzhou" . . . . "0.51899999380111694336"^^ . . . "0.77329999208450317383"^^ . . . . . . . . . . . "The painting on this Christian vestment was clearly executed with the final shape of the garment in mind. China was a major source of painted silk during the late 18th and 19th centuries, and vestments made there were used by Christian communities in Asia, Europe and also the Spanish Americas as far north as California. The floral decoration on this chasuble apears to be have no specifically Christian symbolism."@en . . . "0.38960000872611999512"^^ . . . "0.78219997882843017578"^^ . . . "0.64880001544952392578"^^ . . "T.89:1, 2; 90, 91-1923" . . "0.52819997072219848633"^^ . . . . . . . . . . "The painting on this Christian vestment was clearly executed with the final shape of the garment in mind. China was a major source of painted silk during the late 18th and 19th centuries, and vestments made there were used by Christian communities in Asia, Europe and also the Spanish Americas as far north as California. The floral decoration on this chasuble apears to be have no specifically Christian symbolism."@en . . "0.39869999885559082031"^^ . . . . . . . . . . . "0.61419999599456787109"^^ . . "Part of a set of vestments for low mass (part), comprising chasuble, stole, maniple, chalice veil and burse. Symmetrical pattern (outlined in silver) of peonies, lotuses and other flowers. Lined with red silk, two red silk tying-strings."@en . .