"From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric; some were stylised; all were worked in soft colours often enriched with metal thread."@en . . . . . . "T.90-1950" . . "1800 / 1899, Turkey" . . "0.51649999618530273438"^^ . "1800 / 1899, Turkey" . "From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric; some were stylised; all were worked in soft colours often enriched with metal thread."@en . . . . . "Hanging, incomplete, cotton embroidered with silk in regular surface darning over 5 threads.\nThere are no borders. The field is decorated with a motif repeated in bands of three across each width: green stem curving lightly to the left with, from the bottom, a red flower and red leaf, a blue flower, a green leaf, a red leaf and, at the top, a blue flower. The flowers might be carnations.\nMade from three widths."@en . "Hanging, incomplete, cotton embroidered with silk in regular surface darning over 5 threads.\nThere are no borders. The field is decorated with a motif repeated in bands of three across each width: green stem curving lightly to the left with, from the bottom, a red flower and red leaf, a blue flower, a green leaf, a red leaf and, at the top, a blue flower. The flowers might be carnations.\nMade from three widths."@en .