"Turban Cover, linen embroidered with silk in double running in steps and in diagonal lines, double running in a line and counted satin stitch. \nIn the centre is a flower with six blue petals from which radiate four brown stems bearing a white leaf, a red flower and a rosebud with leaves. around these is a circle formed by white and red leaves. The rest of the ground is covered with diagonal brown stems bearing three red blossoms and two rosebud sprays; there is one in each corner and one in the middle of each side. The border contains isolated curved sprigs, each with a red blossom and a rosebud.\nMade from two widths joined before being embroidered."@en . . "A turban cover is a lightweight square cloth. It was placed over the turban when it was not in use to protect it from dust and disrespectful treatment. Turbans indicated the rank of the wearer. They were removed like hats and not unwound. The red woollen fez replaced turbans for all except the ulema (clergy) about 1827. From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form. Designers introduced new, lifelike floral decorations, many of which were very detailed. They allowed some floral decorations to sway and sweep across the fabric. Some were stylised. All decorations were worked in soft colours often enriched with metal thread. The colours of many 18th century embroideries were originally very bright but they have faded to pleasing pastel shades."@en . . . . . . . "1600 / 1699, Turkey" . . "0.5317999720573425293"^^ . . "A turban cover is a lightweight square cloth. It was placed over the turban when it was not in use to protect it from dust and disrespectful treatment. Turbans indicated the rank of the wearer. They were removed like hats and not unwound. The red woollen fez replaced turbans for all except the ulema (clergy) about 1827. From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form. Designers introduced new, lifelike floral decorations, many of which were very detailed. They allowed some floral decorations to sway and sweep across the fabric. Some were stylised. All decorations were worked in soft colours often enriched with metal thread. The colours of many 18th century embroideries were originally very bright but they have faded to pleasing pastel shades."@en . "0.73540002107620239258"^^ . . . . . "Turban Cover, linen embroidered with silk in double running in steps and in diagonal lines, double running in a line and counted satin stitch. \nIn the centre is a flower with six blue petals from which radiate four brown stems bearing a white leaf, a red flower and a rosebud with leaves. around these is a circle formed by white and red leaves. The rest of the ground is covered with diagonal brown stems bearing three red blossoms and two rosebud sprays; there is one in each corner and one in the middle of each side. The border contains isolated curved sprigs, each with a red blossom and a rosebud.\nMade from two widths joined before being embroidered."@en . . . . . "0.93500000238418579102"^^ . . . "CIRC.145-1929" . . . "1600 / 1699, Turkey" . . .