. . "From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric, some were stylised and many were enriched with metal thread. The colours were originally very bright but have often faded to pleasing pastel shades."@en . "1700 / 1850, Turkey" . . "From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric, some were stylised and many were enriched with metal thread. The colours were originally very bright but have often faded to pleasing pastel shades."@en . . . "Scarf, cut across to form two halves, each with an embroidered border. Linen embroidered with silk in double darning on the diagonal and double running in a line.\nThe decoration is formed by pink blossoms and blue blossoms and smaller flower and leaves which are packed together to form two right angled triangles with the slopes towards the centre. This arrangment forms a 'V' shape of undecorated ground."@en . "Scarf, cut across to form two halves, each with an embroidered border. Linen embroidered with silk in double darning on the diagonal and double running in a line.\nThe decoration is formed by pink blossoms and blue blossoms and smaller flower and leaves which are packed together to form two right angled triangles with the slopes towards the centre. This arrangment forms a 'V' shape of undecorated ground."@en . . "0.50099998712539672852"^^ . "1700 / 1850, Turkey" . . . . "T.392&A-1910" .