. . . . . . . . . "This splendid quilted doublet of the late 1630s has clearly been fashioned from another textile, probably a bed cover. Seams that do not follow the construction of the doublet and the varying directions of the quilted pattern are clues to this reuse. Nevertheless, great care was taken to incorporate the original design into the doublet in a symmetrical fashion and to show the quilting to best effect. A braid of knotted and tufted silk was added to the finished doublet and twelve large bows of silk ribbon adorn the waist.\n\nThe full knee-length breeches are typical of men\u2019s dress of the 1630s. The doublet has a waist line slightly above the natural level, open front seams on the sleeves and bears large waist tabs, also characteristic of the period."@en . . . . . . . . "1635 / 1640, England" . . "347&A-1905" . . . . . . . . . . . . . . . . "Ivory satin, lined with silk and satin, quilted in a diaper and floral design with applied silk braid"@en . . . . "1635c, English; Cream quilted satin, with ribbon ties at knees\n\n1635c, English; Cream quilted satin, with ribbon points"@en . "0.64279997348785400391"^^ . . . "0.65439999103546142578"^^ . "Treasures of the Royal Courts: Tudors, Stuarts and the Russian Tsars label text: \n\nDoublet and breeches\n1630s\n\nWhereas earlier styles created a fashionable silhouette with a small torso and broad padded hips, in the 1630s men\u2019s fashion brought a more natural shape to the figure. Large bows of silk ribbon at the waistband would once have held doublet and breeches together. In this new Jacobean style, the bows are purely decorative.\n\nEngland\nSilk satin, quilted\nV&A 347&A-1905 []"@en . "0.4814999997615814209"^^ . "0.42719998955726623535"^^ . . . . . . . "0.69950002431869506836"^^ . . . . . . . . . . . . "0.40689998865127563477"^^ . . "Treasures of the Royal Courts: Tudors, Stuarts and the Russian Tsars label text: \n\nDoublet and breeches\n1630s\n\nWhereas earlier styles created a fashionable silhouette with a small torso and broad padded hips, in the 1630s men\u2019s fashion brought a more natural shape to the figure. Large bows of silk ribbon at the waistband would once have held doublet and breeches together. In this new Jacobean style, the bows are purely decorative.\n\nEngland\nSilk satin, quilted\nV&A 347&A-1905 []"@en . "0.57849997282028198242"^^ . "0.69870001077651977539"^^ . . . . "0.34049999713897705078"^^ . . . "0.5824000239372253418"^^ . . "0.51169997453689575195"^^ . "1635 / 1640, England" . . . . . . . . . . . "Ivory satin, lined with silk and satin, quilted in a diaper and floral design with applied silk braid"@en . . "0.58630001544952392578"^^ . "1635c, English; Cream quilted satin, with ribbon ties at knees\n\n1635c, English; Cream quilted satin, with ribbon points"@en . . "0.59609997272491455078"^^ . . "This splendid quilted doublet of the late 1630s has clearly been fashioned from another textile, probably a bed cover. Seams that do not follow the construction of the doublet and the varying directions of the quilted pattern are clues to this reuse. Nevertheless, great care was taken to incorporate the original design into the doublet in a symmetrical fashion and to show the quilting to best effect. A braid of knotted and tufted silk was added to the finished doublet and twelve large bows of silk ribbon adorn the waist.\n\nThe full knee-length breeches are typical of men\u2019s dress of the 1630s. The doublet has a waist line slightly above the natural level, open front seams on the sleeves and bears large waist tabs, also characteristic of the period."@en . . . . . "0.53820002079010009766"^^ . . . . . . . . . . . . . .