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Namespace Prefixes

PrefixIRI
n2http://data.silknow.org/production/
rdfshttp://www.w3.org/2000/01/rdf-schema#
n5https://sws.geonames.org/2635167/
ecrmhttp://erlangen-crm.org/current/
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n6http://data.silknow.org/object/
n7http://data.silknow.org/timespan/
xsdhhttp://www.w3.org/2001/XMLSchema#

Statements

Subject Item
n2:236591db-9f13-3e07-8d2b-b7ffffa17a38
rdf:type
ecrm:E12_Production
rdfs:comment
Though very different in style from the burr-walnut and gilt chairs at Houghton, the use of the same ticking base cloth (collated between W.2-2002 and W.27-2002) suggests that they were made -- or at least upholstered -- in the same workshop, and quite close to each other in date. The burr-walnut and gilt suite has been attributed to Thomas Roberts junior, on the strength of his single surviving bill to Robert Walpole of c. 1729, which mainly relates to furniture supplied for Walpole's London houses (but which includes the supply of caffoy for the Saloon at Houghton). The difference in style is probably explicable in terms of the burr-walnut and gilt suite being made to suit the pre-existing embroidered bed; and in the present state of knowledge it seems reasonable to suppose that both suites were manufactured and upholstered entirely in one workshop, most likely that of Thomas Roberts junior.
ecrm:P3_has_note
Though very different in style from the burr-walnut and gilt chairs at Houghton, the use of the same ticking base cloth (collated between W.2-2002 and W.27-2002) suggests that they were made -- or at least upholstered -- in the same workshop, and quite close to each other in date. The burr-walnut and gilt suite has been attributed to Thomas Roberts junior, on the strength of his single surviving bill to Robert Walpole of c. 1729, which mainly relates to furniture supplied for Walpole's London houses (but which includes the supply of caffoy for the Saloon at Houghton). The difference in style is probably explicable in terms of the burr-walnut and gilt suite being made to suit the pre-existing embroidered bed; and in the present state of knowledge it seems reasonable to suppose that both suites were manufactured and upholstered entirely in one workshop, most likely that of Thomas Roberts junior.
ecrm:P108_has_produced
n6:806a49d7-d0b5-37e6-b98d-30d9622d4615
ecrm:P32_used_general_technique
carving
ecrm:P126_employed
structural upholstery of linen, linen webbing and horsehair Legs and seat frame of beech, pine and walnut, oil gilded, partially over a sanded ground cover of green silk velvet, edged with metal-thread braid
ecrm:P4_has_time-span
n7:c5d98d85-9239-38e0-a4d8-2463be976245
ecrm:P8_took_place_on_or_within
n5: