This HTML5 document contains 15 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

PrefixIRI
dchttp://purl.org/dc/elements/1.1/
rdfshttp://www.w3.org/2000/01/rdf-schema#
n8https://www.metmuseum.org/art/collection/search/
n4http://data.silknow.org/vocabulary/
silkhttp://data.silknow.org/ontology/
ecrmhttp://erlangen-crm.org/current/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n9http://data.silknow.org/image/
owlhttp://www.w3.org/2002/07/owl#
n2http://data.silknow.org/object/
provhttp://www.w3.org/ns/prov#
xsdhhttp://www.w3.org/2001/XMLSchema#
n5http://data.silknow.org/statement/
n11http://data.silknow.org/activity/

Statements

Subject Item
n5:7883f1f4-73b6-5ccd-8912-20f9ae7692c7
rdf:type
rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
rdf:object
n4:743
rdf:subject
n2:ff629b89-bf6c-3ea4-b65f-2f44f580c197
prov:wasGeneratedBy
n11:7883f1f4-73b6-5ccd-8912-20f9ae7692c7
silk:L18
0.6668999791145324707
Subject Item
n2:ff629b89-bf6c-3ea4-b65f-2f44f580c197
rdf:type
ecrm:E22_Man-Made_Object
rdfs:label
1660~, United Kingdom
rdfs:comment
Rare unfinished pieces of embroidery like this one can reveal much about the process of planning and executing needlework. In this case, the squares and rectangles were intended to be cut out and applied to a wooden box frame to make a small cabinet. The design was drawn on the silk foundation with ink. It is likely that some details were meant to be left unembroidered, as suggested by the painted pale pink cheeks of the woman in the blue dress and her reflection in the mirror she holds. She is a personification of one of the Five Senses (in this case, sight), and she looks at her companion, the personification of smell, who holds a flower. On the left side of the panel appears a scene from the Old Testament tale of Elijah and the Widow of Zarapeth.
owl:sameAs
n8:230014
dc:identifier
1998.541
ecrm:P3_has_note
Rare unfinished pieces of embroidery like this one can reveal much about the process of planning and executing needlework. In this case, the squares and rectangles were intended to be cut out and applied to a wooden box frame to make a small cabinet. The design was drawn on the silk foundation with ink. It is likely that some details were meant to be left unembroidered, as suggested by the painted pale pink cheeks of the woman in the blue dress and her reflection in the mirror she holds. She is a personification of one of the Five Senses (in this case, sight), and she looks at her companion, the personification of smell, who holds a flower. On the left side of the panel appears a scene from the Old Testament tale of Elijah and the Widow of Zarapeth.
ecrm:P65_shows_visual_item
n4:743
ecrm:P138i_has_representation
n9:e173806f-a502-3c18-b69d-7d10df068fdb
ecrm:P102_has_title
1660~, United Kingdom