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Namespace Prefixes

Prefix	IRI
dc	http://purl.org/dc/elements/1.1/
n10	https://collections.vam.ac.uk/item/
rdfs	http://www.w3.org/2000/01/rdf-schema#
n5	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n13	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
n8	http://data.silknow.org/object/fba7452b-f8b5-3a2a-9f49-e63a0c27ca9a/dimension/
n2	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n4	http://data.silknow.org/statement/
n12	http://data.silknow.org/activity/

Statements

Subject Item

n4:943100b4-4b2b-59a2-902a-bb1b216e6049

rdf:type

rdf:Statement

rdf:predicate

ecrm:P65_shows_visual_item

rdf:object

n5:743

rdf:subject

n2:fba7452b-f8b5-3a2a-9f49-e63a0c27ca9a

prov:wasGeneratedBy

n12:943100b4-4b2b-59a2-902a-bb1b216e6049

silk:L18

0.94529998302459716797

Subject Item

n2:fba7452b-f8b5-3a2a-9f49-e63a0c27ca9a

rdf:type

ecrm:E22_Man-Made_Object

rdfs:label

1700 / 1799, Turkey

rdfs:comment

From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric, some were stylised and many were enriched with metal thread. The colours were originally very bright but have often faded to pleasing pastel shades. embroidered, 1700s, Turkish Linen embroidered with silk in double running in steps and in diagonal lines, double running in a line, satin and fishbone stitch (border). There is a narrow blue border along some of the edges.The repeated motif is in shades of blrown and blue and depicts a naturalistic spray with two large blossoms with backward facing petals and two sprays of blue and brown rose-like leaves.

owl:sameAs

n10:O51874

dc:identifier

95-1897

ecrm:P3_has_note

Linen embroidered with silk in double running in steps and in diagonal lines, double running in a line, satin and fishbone stitch (border). There is a narrow blue border along some of the edges.The repeated motif is in shades of blrown and blue and depicts a naturalistic spray with two large blossoms with backward facing petals and two sprays of blue and brown rose-like leaves. embroidered, 1700s, Turkish From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric, some were stylised and many were enriched with metal thread. The colours were originally very bright but have often faded to pleasing pastel shades.

ecrm:P43_has_dimension

n8:2 n8:1

ecrm:P65_shows_visual_item

n5:743

ecrm:P138i_has_representation

n13:ba94e925-800c-34bb-8c97-ede34af6b090

ecrm:P102_has_title

1700 / 1799, Turkey