HTML Microdata document

This HTML5 document contains 37 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Namespace Prefixes

Prefix	IRI
n4	http://data.silknow.org/object/f8493d84-b017-393c-b20c-942b26a9abd5/dimension/
dc	http://purl.org/dc/elements/1.1/
n13	https://collections.vam.ac.uk/item/
rdfs	http://www.w3.org/2000/01/rdf-schema#
n14	http://data.silknow.org/object/f8493d84-b017-393c-b20c-942b26a9abd5/dimension/pattern/
n15	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n10	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
n2	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n5	http://data.silknow.org/statement/
n8	http://data.silknow.org/activity/

Statements

Subject Item: n2:f8493d84-b017-393c-b20c-942b26a9abd5
rdf:type: ecrm:E22_Man-Made_Object
rdfs:label: 1712 / 1715, Spitalfields
rdfs:comment: British Galleries: This panel came from a dress and still has some of its original trimming attached. The pattern of the silk is repeated across its width but it is made to appear more complex by using different colours for the same motifs. [27/03/2003] Object Type This patterned dress silk could have been chosen by a male or a female customer, since in this period its pattern would have been considered suitable for both sexes. Such a silk might have been used for a woman's gown, a man's waistcoat or his nightgown, worn informally at home. We know that in this case it came from a woman's gown or petticoat, as it still has some of its original trimming attached. Materials & Making The fairly complicated woven structure of this silk is highlighted with brocading. The technique of brocading allowed different colours to be introduced into the pattern of a fabric in specific, sometimes very small areas. It was a more laborious process for the weaver than using patterning wefts running from selvedge to selvedge, but the resulting effect could be much more varied and lively. Dress fabric of brocaded silk damask. Cream damask ground with one yellow pattern weft, and the other colours are brocaded. Tissue with the pattern bound in 3/1/ twill and damask based on a satin of 8. Two repeats in the width of the material. Selvedge is one green satin stripe and 5 cords. Asymmetrical lace pattern with some details brocaded. Colours are deep pink, deep blue, green, tan, salmon and mid blue. Dress fabric of brocaded silk damask, Spitalfields, London, 1712-1715
owl:sameAs: n13:O78749
dc:identifier: T.148-1968
ecrm:P3_has_note: Dress fabric of brocaded silk damask, Spitalfields, London, 1712-1715 Dress fabric of brocaded silk damask. Cream damask ground with one yellow pattern weft, and the other colours are brocaded. Tissue with the pattern bound in 3/1/ twill and damask based on a satin of 8. Two repeats in the width of the material. Selvedge is one green satin stripe and 5 cords. Asymmetrical lace pattern with some details brocaded. Colours are deep pink, deep blue, green, tan, salmon and mid blue. British Galleries: This panel came from a dress and still has some of its original trimming attached. The pattern of the silk is repeated across its width but it is made to appear more complex by using different colours for the same motifs. [27/03/2003] Object Type This patterned dress silk could have been chosen by a male or a female customer, since in this period its pattern would have been considered suitable for both sexes. Such a silk might have been used for a woman's gown, a man's waistcoat or his nightgown, worn informally at home. We know that in this case it came from a woman's gown or petticoat, as it still has some of its original trimming attached. Materials & Making The fairly complicated woven structure of this silk is highlighted with brocading. The technique of brocading allowed different colours to be introduced into the pattern of a fabric in specific, sometimes very small areas. It was a more laborious process for the weaver than using patterning wefts running from selvedge to selvedge, but the resulting effect could be much more varied and lively.
ecrm:P43_has_dimension: n4:4 n4:1 n4:2 n4:5 n4:6 n4:3
ecrm:P65_shows_visual_item: n15:743
ecrm:P138i_has_representation: n10:04347af2-c779-3251-81c2-f5221f8b073a n10:9503d88d-50bb-3305-bcf9-00620fbacd26
ecrm:P102_has_title: 1712 / 1715, Spitalfields
ecrm:P58_has_section_definition: n14:1 n14:2 n15:444

Subject Item: n5:2efd7b78-6271-58cf-934a-4082702690b6
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n15:743
rdf:subject: n2:f8493d84-b017-393c-b20c-942b26a9abd5
prov:wasGeneratedBy: n8:2efd7b78-6271-58cf-934a-4082702690b6
silk:L18: 0.9499

Subject Item: n5:c4563711-1bc4-5199-ac8d-f8f6892dacb3
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n15:743
rdf:subject: n2:f8493d84-b017-393c-b20c-942b26a9abd5
prov:wasGeneratedBy: n8:c4563711-1bc4-5199-ac8d-f8f6892dacb3
silk:L18: 0.916