HTML Microdata document

This HTML5 document contains 73 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Namespace Prefixes

Prefix	IRI
dc	http://purl.org/dc/elements/1.1/
rdfs	http://www.w3.org/2000/01/rdf-schema#
n12	https://www.metmuseum.org/art/collection/search/
n4	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n10	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
n2	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n5	http://data.silknow.org/statement/
n9	http://data.silknow.org/activity/

Statements

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Subject Item: n2:f38d036d-dc05-3f80-8777-07fbd540d04d
rdf:type: ecrm:E22_Man-Made_Object
rdfs:label: 1753~, Turin
rdfs:comment: In this virtuosic execution of spiraling scrolls Boucheron has defined the French-oriented character of the Rococo style in Turin. Although more solid and robust, our inkstand recalls one made in Paris in 1746–47 by the court silversmith Thomas Germain. Boucheron may have known this piece, as he is said to have trained in Germain's studio in the 1730s and is shown in a later portrait surrounded by examples of Germain's silver. The actual model of the Museum's inkstand is not necessarily Boucheron's, however, and may well have been the creation of his compatriot Francesco Ladatte (1706–1787), who had practiced as a designer and sculptor in Paris before returning to Turin in 1744. Both artists worked for the court of Savoy—Ladatte as sculptor, Boucheron as silversmith—and they are known to have collaborated on at least one occasion. That our piece was destined for the court is evident from the coat of arms of the House of Savoy engraved on the stand beneath the bell. It is presumably one of the many inkstands Boucheron is recorded as having made for the royal family.
owl:sameAs: n12:208577
dc:identifier: 1997.151.1a, b–.4
ecrm:P3_has_note: In this virtuosic execution of spiraling scrolls Boucheron has defined the French-oriented character of the Rococo style in Turin. Although more solid and robust, our inkstand recalls one made in Paris in 1746–47 by the court silversmith Thomas Germain. Boucheron may have known this piece, as he is said to have trained in Germain's studio in the 1730s and is shown in a later portrait surrounded by examples of Germain's silver. The actual model of the Museum's inkstand is not necessarily Boucheron's, however, and may well have been the creation of his compatriot Francesco Ladatte (1706–1787), who had practiced as a designer and sculptor in Paris before returning to Turin in 1744. Both artists worked for the court of Savoy—Ladatte as sculptor, Boucheron as silversmith—and they are known to have collaborated on at least one occasion. That our piece was destined for the court is evident from the coat of arms of the House of Savoy engraved on the stand beneath the bell. It is presumably one of the many inkstands Boucheron is recorded as having made for the royal family.
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ecrm:P102_has_title: 1753~, Turin

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