This HTML5 document contains 19 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

PrefixIRI
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Statements

Subject Item
n4:f047f818-9be3-38ec-9ee9-fb67723ae438
rdf:type
ecrm:E22_Man-Made_Object
rdfs:label
1840 / 1870, Bebek
rdfs:comment
Napkin Borders joined together, cotton embroidered with silk in double darning and with metal thread in double darning, musabak, fishbone and satin stitch. There is a narrow geometric border workedin metal thread along either end and above this is a repeated, stylised motif alternating in colour: either cream and metal thread or blue and metal thread. To the left in each motif is a slightly curving stem and leaves worked in metal thread; branching from this, to the right, are two elongated blossoms and to the side of these are three small pairs of leaves in metal thread. At the end of the 18th century embroidery designs began to develop into rigid and heavily stylised borders for towels and napkins. The colours are strong and greater quantities of metal thread were used. The designs were consistently inventive. The colours in some 19th century embroideries were originally very bright but have faded to pleasing pastel shades. There is an embroidered inscription which translates as: 'Glory to God, Ayeshe Hanim daughter of Hasan Aga at Bebek'. Embroideries worked by this family were displayed at the Great Exhibition in London in 1851.
owl:sameAs
n6:O53885
dc:identifier
T.103-1934
ecrm:P3_has_note
Napkin Borders joined together, cotton embroidered with silk in double darning and with metal thread in double darning, musabak, fishbone and satin stitch. There is a narrow geometric border workedin metal thread along either end and above this is a repeated, stylised motif alternating in colour: either cream and metal thread or blue and metal thread. To the left in each motif is a slightly curving stem and leaves worked in metal thread; branching from this, to the right, are two elongated blossoms and to the side of these are three small pairs of leaves in metal thread. At the end of the 18th century embroidery designs began to develop into rigid and heavily stylised borders for towels and napkins. The colours are strong and greater quantities of metal thread were used. The designs were consistently inventive. The colours in some 19th century embroideries were originally very bright but have faded to pleasing pastel shades. There is an embroidered inscription which translates as: 'Glory to God, Ayeshe Hanim daughter of Hasan Aga at Bebek'. Embroideries worked by this family were displayed at the Great Exhibition in London in 1851.
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n8:2 n8:1
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n3:745
ecrm:P138i_has_representation
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ecrm:P102_has_title
1840 / 1870, Bebek
Subject Item
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rdf:type
rdf:Statement
rdf:predicate
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rdf:object
n3:745
rdf:subject
n4:f047f818-9be3-38ec-9ee9-fb67723ae438
prov:wasGeneratedBy
n12:c2b735f9-5400-5fbf-bcac-dac37a6b0bcc
silk:L18
0.5925