This HTML5 document contains 85 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

PrefixIRI
dchttp://purl.org/dc/elements/1.1/
rdfshttp://www.w3.org/2000/01/rdf-schema#
n7https://www.metmuseum.org/art/collection/search/
n5http://data.silknow.org/vocabulary/
silkhttp://data.silknow.org/ontology/
ecrmhttp://erlangen-crm.org/current/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n13http://data.silknow.org/image/
owlhttp://www.w3.org/2002/07/owl#
n2http://data.silknow.org/object/
provhttp://www.w3.org/ns/prov#
xsdhhttp://www.w3.org/2001/XMLSchema#
n4http://data.silknow.org/statement/
n10http://data.silknow.org/activity/

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The sophisticated ripple moldings on the cabinet’s exterior playfully bring out the lustrous quality of the severe black ebony. Other tropical veneers as well as inlays of mother-of-pearl and green-stained horn enliven the cabinet’s interior which encloses multiple drawers as well as a compartment with a mirror-lined "stage" for the display of a treasured artwork. This cabinet is attributed to Herman Doomer, one of the few cabinetmakers working with ebony and mother-of-pearl in Amsterdam, the foremost European market for such exotic materials. Doomer gained fame through the portrait Rembrandt painted of him, also in the Museum's collection (see 29.100.1).
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2011.181
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The sophisticated ripple moldings on the cabinet’s exterior playfully bring out the lustrous quality of the severe black ebony. Other tropical veneers as well as inlays of mother-of-pearl and green-stained horn enliven the cabinet’s interior which encloses multiple drawers as well as a compartment with a mirror-lined "stage" for the display of a treasured artwork. This cabinet is attributed to Herman Doomer, one of the few cabinetmakers working with ebony and mother-of-pearl in Amsterdam, the foremost European market for such exotic materials. Doomer gained fame through the portrait Rembrandt painted of him, also in the Museum's collection (see 29.100.1).
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1640~ / 1650~, Amsterdam
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