This HTML5 document contains 17 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Namespace Prefixes

Prefix	IRI
dc	http://purl.org/dc/elements/1.1/
rdfs	http://www.w3.org/2000/01/rdf-schema#
n12	https://www.metmuseum.org/art/collection/search/
n4	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
n10	http://data.silknow.org/object/e7974079-15ae-36bb-8b19-298dd817c858/dimension/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n6	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
n2	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n5	http://data.silknow.org/statement/
n9	http://data.silknow.org/activity/

Statements

Subject Item

n5:04e4c8cc-5004-5043-8d4e-93f853ae6042

rdf:type

rdf:Statement

rdf:predicate

ecrm:P65_shows_visual_item

rdf:object

n4:743

rdf:subject

n2:e7974079-15ae-36bb-8b19-298dd817c858

prov:wasGeneratedBy

n9:04e4c8cc-5004-5043-8d4e-93f853ae6042

silk:L18

0.69520002603530883789

Subject Item

n2:e7974079-15ae-36bb-8b19-298dd817c858

rdf:type

ecrm:E22_Man-Made_Object

rdfs:label

designed ca. 1650, woven 1650–77, Brussels

rdfs:comment

This panel depicts the moment at which Antony first sees Cleopatra, who is riding in the stern of a barge, fanned by youths dressed as cupids (as described by Plutarch). Cupid, leaning against the sail of the barge, aims an arrow at Antony, who is riding a spirited horse. The Latin inscription in the upper cartouche reads "Antony, sent to compel her, is captured by love of her." The exuberant style is typical of the tapestry designs of Justus van Egmont, who blended the dramatic figures of Rubens with a relish for billowing draperies and decorative details. Although the date of conception is unknown, sets of this design were being produced in Brussels from the early 1650s, and it evidently enjoyed considerable popularity. Several partial sets have survived, some numbering more than ten pieces.

owl:sameAs

n12:212620

dc:identifier

92.1.9

ecrm:P3_has_note

This panel depicts the moment at which Antony first sees Cleopatra, who is riding in the stern of a barge, fanned by youths dressed as cupids (as described by Plutarch). Cupid, leaning against the sail of the barge, aims an arrow at Antony, who is riding a spirited horse. The Latin inscription in the upper cartouche reads "Antony, sent to compel her, is captured by love of her." The exuberant style is typical of the tapestry designs of Justus van Egmont, who blended the dramatic figures of Rubens with a relish for billowing draperies and decorative details. Although the date of conception is unknown, sets of this design were being produced in Brussels from the early 1650s, and it evidently enjoyed considerable popularity. Several partial sets have survived, some numbering more than ten pieces.

ecrm:P43_has_dimension

n10:2 n10:1

ecrm:P65_shows_visual_item

n4:743

ecrm:P138i_has_representation

n6:ad74a888-3575-33db-9e9c-9fd973858634

ecrm:P102_has_title

designed ca. 1650, woven 1650–77, Brussels