This HTML5 document contains 53 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

PrefixIRI
dchttp://purl.org/dc/elements/1.1/
n14https://collections.vam.ac.uk/item/
rdfshttp://www.w3.org/2000/01/rdf-schema#
n5http://data.silknow.org/object/e666d74f-d0ac-3dc5-9562-1c93a22c70ba/dimension/
n9http://data.silknow.org/vocabulary/
silkhttp://data.silknow.org/ontology/
ecrmhttp://erlangen-crm.org/current/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n12http://data.silknow.org/image/
owlhttp://www.w3.org/2002/07/owl#
n3http://data.silknow.org/object/
provhttp://www.w3.org/ns/prov#
xsdhhttp://www.w3.org/2001/XMLSchema#
n2http://data.silknow.org/statement/
n11http://data.silknow.org/activity/

Statements

Subject Item
n2:6f2fbc18-9398-5439-beee-62448f545d83
rdf:type
rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
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n9:745
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n3:e666d74f-d0ac-3dc5-9562-1c93a22c70ba
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n11:6f2fbc18-9398-5439-beee-62448f545d83
silk:L18
0.6404
Subject Item
n2:d2a11842-a971-5003-973e-e6bd01682238
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ecrm:P65_shows_visual_item
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n9:745
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silk:L18
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Subject Item
n2:f389024d-69e6-566a-9cf0-0376fca4a395
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ecrm:P65_shows_visual_item
rdf:object
n9:744
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n3:e666d74f-d0ac-3dc5-9562-1c93a22c70ba
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n11:f389024d-69e6-566a-9cf0-0376fca4a395
silk:L18
0.4236
Subject Item
n2:945e31b8-532e-572d-8ac2-56ad76cfd3cc
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rdf:Statement
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ecrm:P65_shows_visual_item
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n9:745
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n3:e666d74f-d0ac-3dc5-9562-1c93a22c70ba
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n11:945e31b8-532e-572d-8ac2-56ad76cfd3cc
silk:L18
0.4219
Subject Item
n2:32b9d24b-8fd2-57dd-8761-a32eaadbdb34
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rdf:Statement
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ecrm:P65_shows_visual_item
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n9:745
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n11:32b9d24b-8fd2-57dd-8761-a32eaadbdb34
silk:L18
0.6227
Subject Item
n3:e666d74f-d0ac-3dc5-9562-1c93a22c70ba
rdf:type
ecrm:E22_Man-Made_Object
rdfs:label
1750 / 1759, United Kingdom
rdfs:comment
Man's frock, 1750s, British; grey-brown wool, fawn velvet collar, mariner's cuff Thick wool fabric lends a sculptural quality to the ‘mariner’s cuff’ on this strictly utilitarian garment. Such a style of cuff was first seen on the coats worn by naval officers in the 1740s (navy uniform was not made official until 1748) and became a popular feature of both men’s fashionable coats and ladies’ riding jackets. A vertical opening with a scalloped flap runs parallel to the length of the sleeve and intersects the cuff. The lack of any decoration except a brown velvet collar reinforces the coat’s informality. Its grey-brown shade suggests that it might be the colour known in the 18th century as ‘drab’. A label sewn to the inside collar indicates that this coat once belonged to the 19th-century theatrical costumiers, L & H Nathan, where it experienced a second life, no doubt one more arduous, on the stage. A man's coat (frock) of grey-brown woollen broadcloth. It has a round neckline with a small, two-piece cape (turn-down collar) of pieced fawn-coloured silk velvet. The two-piece, shaped sleeves end at the wrist with a mariner's cuff - a round cuff (12 cm deep at top, 13 cm deep at bottom) crossed in front with a scalloped flap. The coat fronts curve from neck to waist, continuing straight to the hem. The skirts extend from the hip and are set with one pleat at the front and one at the back (16 cm deep), at the side seams. There is an inverted pleat on each side of the opening at centre back. There is a scalloped pocket flap at hip level on each front. The pockets are lined with coarse brown wool, the cape with the grey-brown broadcloth, the rest of the coat with glazed grey-brown linen. Twelve passementerie buttons of grey linen thread (5 now missing) on the right front correspond to 12 buttonholes on the left side. Four uncut buttonholes on each pocket flap correspond to 4 passementerie buttons on the coat below. The scalloped flap of the cuff has 4 cut buttonholes, correspoonding to 4 passementerie button on each cuff. There is a button at the top of the pleats on each side and another holding the front and back pleats together above the hem. There are two uncut buttonholes on each side at the top of the back vent. The coat was worn as theatre costume in the 19th century. There is a 'L & H Nathan' label sewn to the right back lining below the collar. Two buttons at waist level have been moved closer to the front edge. Unique
owl:sameAs
n14:O127168
dc:identifier
467-1907
ecrm:P3_has_note
Man's frock, 1750s, British; grey-brown wool, fawn velvet collar, mariner's cuff Thick wool fabric lends a sculptural quality to the ‘mariner’s cuff’ on this strictly utilitarian garment. Such a style of cuff was first seen on the coats worn by naval officers in the 1740s (navy uniform was not made official until 1748) and became a popular feature of both men’s fashionable coats and ladies’ riding jackets. A vertical opening with a scalloped flap runs parallel to the length of the sleeve and intersects the cuff. The lack of any decoration except a brown velvet collar reinforces the coat’s informality. Its grey-brown shade suggests that it might be the colour known in the 18th century as ‘drab’. A label sewn to the inside collar indicates that this coat once belonged to the 19th-century theatrical costumiers, L & H Nathan, where it experienced a second life, no doubt one more arduous, on the stage. Unique A man's coat (frock) of grey-brown woollen broadcloth. It has a round neckline with a small, two-piece cape (turn-down collar) of pieced fawn-coloured silk velvet. The two-piece, shaped sleeves end at the wrist with a mariner's cuff - a round cuff (12 cm deep at top, 13 cm deep at bottom) crossed in front with a scalloped flap. The coat fronts curve from neck to waist, continuing straight to the hem. The skirts extend from the hip and are set with one pleat at the front and one at the back (16 cm deep), at the side seams. There is an inverted pleat on each side of the opening at centre back. There is a scalloped pocket flap at hip level on each front. The pockets are lined with coarse brown wool, the cape with the grey-brown broadcloth, the rest of the coat with glazed grey-brown linen. Twelve passementerie buttons of grey linen thread (5 now missing) on the right front correspond to 12 buttonholes on the left side. Four uncut buttonholes on each pocket flap correspond to 4 passementerie buttons on the coat below. The scalloped flap of the cuff has 4 cut buttonholes, correspoonding to 4 passementerie button on each cuff. There is a button at the top of the pleats on each side and another holding the front and back pleats together above the hem. There are two uncut buttonholes on each side at the top of the back vent. The coat was worn as theatre costume in the 19th century. There is a 'L & H Nathan' label sewn to the right back lining below the collar. Two buttons at waist level have been moved closer to the front edge.
ecrm:P43_has_dimension
n5:2 n5:3 n5:1
ecrm:P65_shows_visual_item
n9:744 n9:745
ecrm:P138i_has_representation
n12:8c13e621-16fb-3b88-8be7-ea91e35cd0fe n12:9da1cc84-05cb-34e0-9c0d-62f1b4085492 n12:f8faf623-9e6c-3e76-b248-ebe1455fcd75 n12:55447a7b-3bda-30c1-bf00-d9e7cf842eba n12:59190f60-904f-3ce0-863b-a1fe7a6c684e
ecrm:P102_has_title
1750 / 1759, United Kingdom