This HTML5 document contains 46 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

PrefixIRI
dchttp://purl.org/dc/elements/1.1/
rdfshttp://www.w3.org/2000/01/rdf-schema#
n11https://www.metmuseum.org/art/collection/search/
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silkhttp://data.silknow.org/ontology/
ecrmhttp://erlangen-crm.org/current/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n9http://data.silknow.org/image/
owlhttp://www.w3.org/2002/07/owl#
n3http://data.silknow.org/object/
provhttp://www.w3.org/ns/prov#
xsdhhttp://www.w3.org/2001/XMLSchema#
n2http://data.silknow.org/statement/
n8http://data.silknow.org/activity/

Statements

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1508~
rdfs:comment
This is among the earliest devotional paintings of the Madonna and Child by Titian, dating to about 1508. Technical study has revealed that the artist first posed the figures sitting erect and in the center of the canvas, a composition closer to those by Giovanni Bellini. The final pose is more informal and suggests a tender rapport between the mother and child. The picture has been strongly cleaned in the past and has lost much of its delicacy of definition.
owl:sameAs
n11:437824
dc:identifier
49.7.15
ecrm:P3_has_note
This is among the earliest devotional paintings of the Madonna and Child by Titian, dating to about 1508. Technical study has revealed that the artist first posed the figures sitting erect and in the center of the canvas, a composition closer to those by Giovanni Bellini. The final pose is more informal and suggests a tender rapport between the mother and child. The picture has been strongly cleaned in the past and has lost much of its delicacy of definition.
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1508~