This HTML5 document contains 57 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

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dchttp://purl.org/dc/elements/1.1/
rdfshttp://www.w3.org/2000/01/rdf-schema#
n12https://www.metmuseum.org/art/collection/search/
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silkhttp://data.silknow.org/ontology/
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owlhttp://www.w3.org/2002/07/owl#
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provhttp://www.w3.org/ns/prov#
xsdhhttp://www.w3.org/2001/XMLSchema#
n5http://data.silknow.org/statement/
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An example of the kind of work [Catherine de Medici] appreciated is the Museum's panel of yellow satin embroidered with silk threads. One of a set of three (the others are in the Musée Historique des Tissus, Lyon), it hung as a valence around the top of a four-poster bed. Various print sources were culled for the airy design of grotesques, while its five vignettes derived from Ovid's Metamorphoses- based on the myths of Europa, Actaeon, Semele, Pyramus, and Salmacis- are adapted from woodcut illustrations published by Bernard Salomon in Lyon in 1557. Its brilliant colors, exquisite design, and sumptuous material would have suited the queen's taste perfectly.
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An example of the kind of work [Catherine de Medici] appreciated is the Museum's panel of yellow satin embroidered with silk threads. One of a set of three (the others are in the Musée Historique des Tissus, Lyon), it hung as a valence around the top of a four-poster bed. Various print sources were culled for the airy design of grotesques, while its five vignettes derived from Ovid's Metamorphoses- based on the myths of Europa, Actaeon, Semele, Pyramus, and Salmacis- are adapted from woodcut illustrations published by Bernard Salomon in Lyon in 1557. Its brilliant colors, exquisite design, and sumptuous material would have suited the queen's taste perfectly.
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1560 / 1570, France