This HTML5 document contains 40 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

PrefixIRI
n13http://data.silknow.org/object/e10f825e-0cb4-3f13-b28b-6d42cdd938fd/dimension/pattern/
dchttp://purl.org/dc/elements/1.1/
n15https://collections.vam.ac.uk/item/
rdfshttp://www.w3.org/2000/01/rdf-schema#
n7http://data.silknow.org/vocabulary/
silkhttp://data.silknow.org/ontology/
ecrmhttp://erlangen-crm.org/current/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n10http://data.silknow.org/object/e10f825e-0cb4-3f13-b28b-6d42cdd938fd/dimension/
n9http://data.silknow.org/image/
owlhttp://www.w3.org/2002/07/owl#
n4http://data.silknow.org/object/
provhttp://www.w3.org/ns/prov#
xsdhhttp://www.w3.org/2001/XMLSchema#
n2http://data.silknow.org/statement/
n12http://data.silknow.org/activity/

Statements

Subject Item
n2:1b88a5da-65ad-5539-92a5-626c55b1de3b
rdf:type
rdf:Statement
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ecrm:P65_shows_visual_item
rdf:object
n7:743
rdf:subject
n4:e10f825e-0cb4-3f13-b28b-6d42cdd938fd
prov:wasGeneratedBy
n12:1b88a5da-65ad-5539-92a5-626c55b1de3b
silk:L18
0.9355
Subject Item
n2:7a564630-bd66-505c-a119-8badc277958e
rdf:type
rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
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n7:743
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n12:7a564630-bd66-505c-a119-8badc277958e
silk:L18
0.765
Subject Item
n4:e10f825e-0cb4-3f13-b28b-6d42cdd938fd
rdf:type
ecrm:E22_Man-Made_Object
rdfs:label
1730 / 1735, Lyon
rdfs:comment
This silk panel has a dark green ground and a bold pattern of fanciful fruits and leaves standing in a bowl which rests on a ledge around which is hung a swag of pendant husks. The pattern is brocaded in coloured silks in reds, greens and browns, and black emphasises the outline of certain flowers. Much of the pattern is brocaded in plain and frost silver thread. The ground is woven in gros de Tours (a ribbed effect). The pattern is a point repeat (i.e. is symmetrical about a vertical axis). The repeat is 17.5 inches (47.5 centimetres) in length and 21.5 inches (58 centimetres) wide. This silk panel combines the most expensive of materials with the most complex of weaving techniques. It is a brocaded silk which makes use of polychrome silk and real silver thread to create the pattern on a dark green ground. The technique of brocading allowed different colours to be introduced into the pattern of a fabric in specific, sometimes very small areas. It was laborious work for the weaver. This is probably a French silk because its width conforms to the regulations laid down for the silk weavers of Tours in the late 17th century and subsequently adopted by the guild of silk weavers (Grande Fabrique) in Lyon. Such regulations attempted to control the composition and quality of all products. The style of motif corresponds to the early 1730s when designers were gradually developing more naturalistic motifs which were often combined with fantastical elements. The Lyonnais designer Courtois was credited with attempting to create three-dimensional effects in the 1720s, and in the following decade Jean Revel (1684—1751) found a method of dovetailing colours which took these attempts further. Woven silk panel with dark green ground, France, ca. 1730-1735 Limited edition
owl:sameAs
n15:O119061
dc:identifier
T.330-1970
ecrm:P3_has_note
Woven silk panel with dark green ground, France, ca. 1730-1735 This silk panel has a dark green ground and a bold pattern of fanciful fruits and leaves standing in a bowl which rests on a ledge around which is hung a swag of pendant husks. The pattern is brocaded in coloured silks in reds, greens and browns, and black emphasises the outline of certain flowers. Much of the pattern is brocaded in plain and frost silver thread. The ground is woven in gros de Tours (a ribbed effect). The pattern is a point repeat (i.e. is symmetrical about a vertical axis). The repeat is 17.5 inches (47.5 centimetres) in length and 21.5 inches (58 centimetres) wide. This silk panel combines the most expensive of materials with the most complex of weaving techniques. It is a brocaded silk which makes use of polychrome silk and real silver thread to create the pattern on a dark green ground. The technique of brocading allowed different colours to be introduced into the pattern of a fabric in specific, sometimes very small areas. It was laborious work for the weaver. This is probably a French silk because its width conforms to the regulations laid down for the silk weavers of Tours in the late 17th century and subsequently adopted by the guild of silk weavers (Grande Fabrique) in Lyon. Such regulations attempted to control the composition and quality of all products. The style of motif corresponds to the early 1730s when designers were gradually developing more naturalistic motifs which were often combined with fantastical elements. The Lyonnais designer Courtois was credited with attempting to create three-dimensional effects in the 1720s, and in the following decade Jean Revel (1684—1751) found a method of dovetailing colours which took these attempts further. Limited edition
ecrm:P43_has_dimension
n10:3 n10:1 n10:2
ecrm:P65_shows_visual_item
n7:743
ecrm:P138i_has_representation
n9:333e1552-a1b8-345e-974f-fcb73cca011e n9:3b10d01e-5b33-366f-befd-9e2b2c4fde22 n9:cce0732a-423b-3351-8154-74a9b5f3941a
ecrm:P102_has_title
1730 / 1735, Lyon
ecrm:P58_has_section_definition
n7:444 n13:1
Subject Item
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silk:L18
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