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Namespace Prefixes

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rdfs	http://www.w3.org/2000/01/rdf-schema#
n14	https://www.metmuseum.org/art/collection/search/
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n4	http://data.silknow.org/object/de7234dc-c66e-3743-a12f-b9e62b76724d/dimension/
silk	http://data.silknow.org/ontology/
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n9	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
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xsdh	http://www.w3.org/2001/XMLSchema#
n5	http://data.silknow.org/statement/
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Statements

Subject Item

n5:077506fd-08c2-5f2b-b240-034e6109be80

rdf:type

rdf:Statement

rdf:predicate

ecrm:P65_shows_visual_item

rdf:object

n6:745

rdf:subject

n2:de7234dc-c66e-3743-a12f-b9e62b76724d

prov:wasGeneratedBy

n12:077506fd-08c2-5f2b-b240-034e6109be80

silk:L18

0.6042

Subject Item

n2:de7234dc-c66e-3743-a12f-b9e62b76724d

rdf:type

ecrm:E22_Man-Made_Object

rdfs:label

1675 / 1725, Russia

rdfs:comment

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg.The use of gold and pearls indicate that this panel was quite costly. Though it dates from the late-17th to early 18th century, the lace is likely a later edition, probably the later 18th-century.

owl:sameAs

n14:157546

dc:identifier

2009.300.2692

ecrm:P3_has_note

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg.The use of gold and pearls indicate that this panel was quite costly. Though it dates from the late-17th to early 18th century, the lace is likely a later edition, probably the later 18th-century.

ecrm:P43_has_dimension

n4:2 n4:1

ecrm:P65_shows_visual_item

n6:745

ecrm:P138i_has_representation

n9:9c039916-c7ee-3fe4-89bc-3ac241e8286b

ecrm:P102_has_title

1675 / 1725, Russia