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Prefix	IRI
dc	http://purl.org/dc/elements/1.1/
rdfs	http://www.w3.org/2000/01/rdf-schema#
n12	https://www.metmuseum.org/art/collection/search/
n7	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n10	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
n2	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n4	http://data.silknow.org/statement/
n6	http://data.silknow.org/activity/

Subject Item: n2:dcb2c732-7dea-3534-bb35-bbf93b1978b0
rdf:type: ecrm:E22_Man-Made_Object
rdfs:label: 1740, Greece
rdfs:comment: The Annunciation was a favored subject for epimanikia, since it lent itself to division across the pair of cuffs (see also 41.100.235). The motif of the angel Gabriel entering on a raft of clouds is borrowed from the art of Western Europe, likely via prints. The inscription in the lower margins recalls the "toil and pains" of the embroider and concludes with the Greek numerals ΑΨΜ for the year 1740.
owl:sameAs: n12:226634
dc:identifier: 41.100.235
ecrm:P3_has_note: The Annunciation was a favored subject for epimanikia, since it lent itself to division across the pair of cuffs (see also 41.100.235). The motif of the angel Gabriel entering on a raft of clouds is borrowed from the art of Western Europe, likely via prints. The inscription in the lower margins recalls the "toil and pains" of the embroider and concludes with the Greek numerals ΑΨΜ for the year 1740.
ecrm:P65_shows_visual_item: n7:744
ecrm:P138i_has_representation: n10:6fcd26e4-e43b-3fe7-bdbb-e3e3af8be893 n10:ab1a2e64-58bf-32e2-b43b-0662a7546250
ecrm:P102_has_title: 1740, Greece