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Namespace Prefixes

PrefixIRI
crmscihttp://www.ics.forth.gr/isl/CRMsci/
n2http://data.silknow.org/object/d1726aec-3a8f-3a77-8e90-6651c7fdde44/observation/
ecrmhttp://erlangen-crm.org/current/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n6http://data.silknow.org/object/
xsdhhttp://www.w3.org/2001/XMLSchema#
n4http://data.silknow.org/observation/

Statements

Subject Item
n2:2
rdf:type
crmsci:S4_Observation
ecrm:P3_has_note
From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric; some were stylised; all were worked in soft colours often enriched with metal thread.
ecrm:P2_has_type
n4:general-observation
crmsci:O8_observed
n6:d1726aec-3a8f-3a77-8e90-6651c7fdde44