This HTML5 document contains 22 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

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rdfs	http://www.w3.org/2000/01/rdf-schema#
n12	https://www.metmuseum.org/art/collection/search/
n10	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n13	http://data.silknow.org/image/
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prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n5	http://data.silknow.org/statement/
n8	http://data.silknow.org/activity/

Statements

Subject Item

n5:9259dc5f-ff0c-59f2-a6d1-00a2e5e79bc6

rdf:type

rdf:Statement

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ecrm:P65_shows_visual_item

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n10:743

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n2:cc61f530-a853-3175-be3f-bb5c3ad81779

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ecrm:P65_shows_visual_item

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n10:743

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n2:cc61f530-a853-3175-be3f-bb5c3ad81779

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n2:cc61f530-a853-3175-be3f-bb5c3ad81779

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ecrm:E22_Man-Made_Object

rdfs:label

designed 1736, woven 1736–52, Beauvais

rdfs:comment

Images of gardens were popular in the tapestry medium from the medieval era, where the so-called mille-fleurs (thousand flowers) (see also 2013.506) provided a decorative, and sometimes symbolic, setting for scenes of romance and play. Park and garden tapestries continued to enjoy popularity throughout the sixteenth and seventeenth centuries, particularly for the decoration of more intimate chambers, where they provided a pleasant contrast with the grander subject matter of tapestries used in more formal settings. The theme enjoyed new popularity with the advent of the Rococo style during the eighteenth century, and a number of highly decorative landscape and garden series were produced in French and Netherlandish workshops during the second third of the eighteenth century. Among the most notable was the series of romantic pastorals that Boucher designed for the Beauvais workshops between 1734 and 1736 (64.165.1–.8). Known as the Fetes Italiennes, and loosely inspired by the idyllic park scenes of Antoine Watteau, this series depicted handsome gentlefolk and peasants in idealized exterior settings. In this case, a pretty young woman, a child, and a gardener rest in the shade of an overgrown terrace, beneath statues of Apollo and Hercules.

owl:sameAs

n12:227403

dc:identifier

49.7.119

ecrm:P3_has_note

Images of gardens were popular in the tapestry medium from the medieval era, where the so-called mille-fleurs (thousand flowers) (see also 2013.506) provided a decorative, and sometimes symbolic, setting for scenes of romance and play. Park and garden tapestries continued to enjoy popularity throughout the sixteenth and seventeenth centuries, particularly for the decoration of more intimate chambers, where they provided a pleasant contrast with the grander subject matter of tapestries used in more formal settings. The theme enjoyed new popularity with the advent of the Rococo style during the eighteenth century, and a number of highly decorative landscape and garden series were produced in French and Netherlandish workshops during the second third of the eighteenth century. Among the most notable was the series of romantic pastorals that Boucher designed for the Beauvais workshops between 1734 and 1736 (64.165.1–.8). Known as the Fetes Italiennes, and loosely inspired by the idyllic park scenes of Antoine Watteau, this series depicted handsome gentlefolk and peasants in idealized exterior settings. In this case, a pretty young woman, a child, and a gardener rest in the shade of an overgrown terrace, beneath statues of Apollo and Hercules.

ecrm:P65_shows_visual_item

n10:743

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n13:733a9741-10cf-32ac-8e8d-3d0f76900902 n13:9ee41c57-4c75-3a83-8137-2253f6e49802

ecrm:P102_has_title

designed 1736, woven 1736–52, Beauvais