This HTML5 document contains 46 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

PrefixIRI
dchttp://purl.org/dc/elements/1.1/
n9https://collections.vam.ac.uk/item/
rdfshttp://www.w3.org/2000/01/rdf-schema#
n11http://data.silknow.org/vocabulary/
silkhttp://data.silknow.org/ontology/
ecrmhttp://erlangen-crm.org/current/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n13http://data.silknow.org/image/
owlhttp://www.w3.org/2002/07/owl#
provhttp://www.w3.org/ns/prov#
n6http://data.silknow.org/object/
xsdhhttp://www.w3.org/2001/XMLSchema#
n2http://data.silknow.org/statement/
n5http://data.silknow.org/activity/

Statements

Subject Item
n2:a6ac0ebf-cafd-5c04-b8fb-496abdaed018
rdf:type
rdf:Statement
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ecrm:P65_shows_visual_item
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n11:745
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n6:c482ac46-a569-3118-9ea3-4305bcccef8b
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Subject Item
n6:c482ac46-a569-3118-9ea3-4305bcccef8b
rdf:type
ecrm:E22_Man-Made_Object
rdfs:label
1700 / 1725, England
rdfs:comment
Linen pockets embroidered with silk thread, bound with green silk ribbon and attached to linen tape ties. The ground has been quilted in a pattern of overlapping circles and embroidered with floral motifs. In the 18th century, women’s pockets were not sewn into their gowns. Instead they were attached to a tape and tied around the waist as separate garments. Worn under the hoops and petticoats, they were accessed through openings in the gown and petticoat seams. Pockets of the early 18th century show a variety of influences in their embroidery designs. Some come from imported Indian textiles, others from various types of British needlework found on both dress and furnishings. The stitched pattern of overlapping circles seen here can also be seen on quilted bed and cushion covers. The spiky flowers and leaves and use of small floral motifs show the influence of Indian printed cottons. Typical of pocket embroidery is the placement of a border around the edge and the pocket opening with a repeated design filling the centre. The arrangement of the colours defining the motifs is slightly different on each pocket.
owl:sameAs
n9:O75111
dc:identifier
T.281&A-1910
ecrm:P3_has_note
In the 18th century, women’s pockets were not sewn into their gowns. Instead they were attached to a tape and tied around the waist as separate garments. Worn under the hoops and petticoats, they were accessed through openings in the gown and petticoat seams. Pockets of the early 18th century show a variety of influences in their embroidery designs. Some come from imported Indian textiles, others from various types of British needlework found on both dress and furnishings. The stitched pattern of overlapping circles seen here can also be seen on quilted bed and cushion covers. The spiky flowers and leaves and use of small floral motifs show the influence of Indian printed cottons. Typical of pocket embroidery is the placement of a border around the edge and the pocket opening with a repeated design filling the centre. The arrangement of the colours defining the motifs is slightly different on each pocket. Linen pockets embroidered with silk thread, bound with green silk ribbon and attached to linen tape ties. The ground has been quilted in a pattern of overlapping circles and embroidered with floral motifs.
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1700 / 1725, England
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