This HTML5 document contains 15 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

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Statements

Subject Item

n4:146fba7d-e723-509a-a6b8-da9342071a0f

rdf:type

rdf:Statement

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ecrm:P65_shows_visual_item

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n12:743

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n2:c409fd99-2067-3a1a-82c3-f571a46d91c1

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n6:146fba7d-e723-509a-a6b8-da9342071a0f

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0.80449998378753662109

Subject Item

n2:c409fd99-2067-3a1a-82c3-f571a46d91c1

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ecrm:E22_Man-Made_Object

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designed ca. 1535, woven 1732–37, Paris

rdfs:comment

This tapestry was part of a set of twelve celebrating courtly pastimes, each dedicated to a month of the year. Here, courtiers enjoy the mild mid-spring weather of April; they venture out of the castle to go boating, gather flowers, and make music with a recorder, a lute and a dulcimer. In contrast with these leisurely dalliances, a shepherd leading his flock to the fields and a maid milking toward the left hint at busy agricultural life reawakening after atrophied winter. October, from the same series, is on display nearby.Though woven in eighteenth-century Paris, these hangings were designed after a sixteenth-century Netherlandish tapestry set (now lost) in the French royal collection. The resulting works winningly combine a Renaissance sensibility in subject matter, compositional style, and clothing fashions with a lush Rococo border, a rainbow palette, and virtuosi weaving techniques more typical of 1730s France.

owl:sameAs

n11:227020

dc:identifier

44.60.3

ecrm:P3_has_note

This tapestry was part of a set of twelve celebrating courtly pastimes, each dedicated to a month of the year. Here, courtiers enjoy the mild mid-spring weather of April; they venture out of the castle to go boating, gather flowers, and make music with a recorder, a lute and a dulcimer. In contrast with these leisurely dalliances, a shepherd leading his flock to the fields and a maid milking toward the left hint at busy agricultural life reawakening after atrophied winter. October, from the same series, is on display nearby.Though woven in eighteenth-century Paris, these hangings were designed after a sixteenth-century Netherlandish tapestry set (now lost) in the French royal collection. The resulting works winningly combine a Renaissance sensibility in subject matter, compositional style, and clothing fashions with a lush Rococo border, a rainbow palette, and virtuosi weaving techniques more typical of 1730s France.

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n12:743

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designed ca. 1535, woven 1732–37, Paris