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Namespace Prefixes

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Statements

Subject Item
n4:4fc64593-70b6-5917-be6a-3cbb05659126
rdf:type
rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
rdf:object
n11:744
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n2:bf1ab1d7-3fe0-3b17-8fce-85bd8b29e13b
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n13:4fc64593-70b6-5917-be6a-3cbb05659126
silk:L18
0.53240001201629638672
Subject Item
n2:bf1ab1d7-3fe0-3b17-8fce-85bd8b29e13b
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ecrm:E22_Man-Made_Object
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1881, New York
rdfs:comment
Silk programme for <i>Billie Taylor</i>, Standard Theatre, 1881 Although <i>Billee Taylor</i> opened in New York after a successful run in London, American reviews compared it unfavourably to the works of Gilbert and Sullivan. The comic opera, based on a poem and song by the eighteenth-century playwright Richard Brinsley Sheridan, follows the story of how a gardener and his sweetheart become embroiled in the romantic complications of a Captain and his crew. The Standard Theatre in New York opened as the Eagle Theatre in 1875. After its re-naming in 1878, it played host to several American premieres of Gilbert & Sullivan's operas, earning $100,000 from its run of <i>Patience</i>. In 1898 William Brady and Florenz Ziegfeld took over management, re-christening the theatre once again as the Manhattan Theatre. Yellow silk programme printed with black typographical ink, mounted on cream cardboard.
owl:sameAs
n10:O1368042
dc:identifier
S.349-2016
ecrm:P3_has_note
Yellow silk programme printed with black typographical ink, mounted on cream cardboard. Silk programme for <i>Billie Taylor</i>, Standard Theatre, 1881 Although <i>Billee Taylor</i> opened in New York after a successful run in London, American reviews compared it unfavourably to the works of Gilbert and Sullivan. The comic opera, based on a poem and song by the eighteenth-century playwright Richard Brinsley Sheridan, follows the story of how a gardener and his sweetheart become embroiled in the romantic complications of a Captain and his crew. The Standard Theatre in New York opened as the Eagle Theatre in 1875. After its re-naming in 1878, it played host to several American premieres of Gilbert & Sullivan's operas, earning $100,000 from its run of <i>Patience</i>. In 1898 William Brady and Florenz Ziegfeld took over management, re-christening the theatre once again as the Manhattan Theatre.
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n11:744
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1881, New York