This HTML5 document contains 4 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Namespace Prefixes

PrefixIRI
crmscihttp://www.ics.forth.gr/isl/CRMsci/
n2http://data.silknow.org/object/bdeb1f09-f82b-3bfa-be35-dd1e86f8a217/observation/
ecrmhttp://erlangen-crm.org/current/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n4http://data.silknow.org/object/
xsdhhttp://www.w3.org/2001/XMLSchema#
n6http://data.silknow.org/observation/

Statements

Subject Item
n2:5
rdf:type
crmsci:S4_Observation
ecrm:P3_has_note
<i>Vestment</i>. This chasuble is the vestment worn by a Catholic priest when celebrating the Mass. It was - and is - worn over the alb and stole. This style of chasuble became widespread after 1600. Prior to that - at the time from which this embroidery dates - chasubles were circular garments which slipped on over the head. Prior to the 1960s, the priest stood facing the altar with his back to the congregation, so the back of the chasuble was visible most of the time. This fact usually accounts for the dominant imagery being on the back and the construction being more perfect there. This chasuble is probably made from Italian (or Spanish) velvet, cut down from its original bell shape into the fiddle-shape that became popular in the early seventeenth century. The colour suggests this chasuble would have been worn for requiem masses or for Easter. The velvet was probably made in Italy or Spain, then the major velvet weaving centres in Europe, and provided an ideal foil for rich embroidery which might be executed at home or abroad. <i>Bibliographical references</i> Johnstone, Pauline. <i>High Fashion in the Church</i>. Leeds: Maney, 2002 (for vestments)
ecrm:P2_has_type
n6:historical-observation
crmsci:O8_observed
n4:bdeb1f09-f82b-3bfa-be35-dd1e86f8a217